Still Life, Aleksandra Ekster, 1913
Alexandra Exter, portraitAlexandra ExterPolish, 1882–1949

Still Life

1913 · Painting · 68 × 53 cm

Can I see it?

Unknown

Where is “Still Life” now? Collection: Museo Thyssen-Bornemisza, Madrid. Unknown.

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
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Details

Accession number
540 (1973.26)

In the catalog

Sources

  • Wikidata
  • Image: Museo Thyssen-Bornemisza — Aleksandra Ekster · CC BY 2.0 · Wikimedia Commons

In the life of Alexandra Exter

The whole life
  1. 1912

    Meets Ardengo Soffici and the Italian Futurists

    In Italy she meets the Futurist painter Ardengo Soffici and, through him, the country's leading avant-garde artists, and takes part in their exhibitions.

  2. February 1912

    Exhibits with the “Jack of Diamonds”

    She is among the participants in most of the major exhibitions of the Russian avant-garde: the “Jack of Diamonds” (February 1912), the Union of Youth, “Tramway V” and others.

  3. October 1912

    The “Section d'Or” exhibition in Paris

    Under the name Alexandra d'Exter she shows six works at the Salon de la Section d'Or at the Galerie La Boétie, alongside Jean Metzinger, Albert Gleizes, Marcel Duchamp and others; in March of the same year she had taken part in the Salon des Indépendants in Paris.

  4. 1914

    International Futurist Exhibition in Rome

    She exhibits at the International Futurist Exhibition in Rome together with the other “Russians” — Archipenko, Kulbin and Olga Rozanova.

  5. 1915

    Joins Malevich's group Supremus

    She joins Kazimir Malevich's group of avant-garde artists, Supremus, and works in the Cubo-Futurist and Suprematist idioms.

  6. 1915–1916

    Works with peasants in the artels of Verbovka and Skoptsy

    Together with Malevich, Liubov Popova, Ivan Puni, Olga Rozanova, Nadezhda Udaltsova and others she works with peasants in the art cooperatives of the villages of Verbovka and Skoptsy, run by Nina Genke, her pupil, and Natalia Davydova. Searching for ancient peasant embroidery, liturgical sewing and weaving, she discovers Ukrainian folk art, one of the sources of her imagery, and with Malevich, Puni and Ksenia Boguslavskaya draws Suprematist designs for embroideries on bags, pillows, carpets and belts.

All works

From the collection of Museo Thyssen-Bornemisza

Museum page