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  3. Stamped Tin Relic
Stamped Tin Relic, Walker Evans, 1929, printed c. 1970
Walker Evans, portraitWalker EvansAmerican, 1903–1975

Stamped Tin Relic

1929, printed c. 1970 · Photograph

Particulars

1929, printed c. 1970
19031975
Accession number
1991.1174

Meanwhile, in the life of Walker Evans

The whole life
  1. 1928

    Taking up photography

    In 1928, around the time he is living in Ossining, New York, Evans takes up photography; his influences include Eugène Atget and August Sander.

  2. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  3. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  4. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

  5. 1938

More by Walker Evans

All works

Neighbors at Art Institute of Chicago

Museum page

On the same theme · Documentary

All works on the theme

“Walker Evans: American Photographs” at MoMA

The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.

  • 1941

    “Let Us Now Praise Famous Men” is published

    Evans's photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression are published as the groundbreaking book “Let Us Now Praise Famous Men”. Its detailed account of three farming families paints a deeply moving portrait of rural poverty.

  • May one see it?

    Not receiving at present

    Art Institute of Chicago

    Chicago, United States

    It belongs to the collection, but is not on display at present.

    Checked
    9 days ago
    In this state since
    Aug 19, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    Documentary

    In the catalog

    PhotographsGelatin silver printModernism20th centuryUnited States

    Sources

    • Art Institute of Chicago
    • Image: Art Institute of Chicago — © the artist or rights holder
    African Sculpture, Walker Evans, 1935

    African Sculpture

    1935 · The Museum of Modern Art

    Coney Island, New York, Walker Evans, 1928 or 1929

    Coney Island, New York

    1928 or 1929 · Not on view · National Gallery of Art

    Manhattan, Walker Evans, c. 1928

    Manhattan

    c. 1928 · Not on view · National Gallery of Art

    New York City, Walker Evans, 1928-1929

    New York City

    1928-1929 · Not on view · National Gallery of Art

    Coney Island, New York, Walker Evans, 1928 or 1929

    Coney Island, New York

    1928 or 1929 · Not on view · National Gallery of Art

    Untitled, Walker Evans, c. 1928

    Untitled

    c. 1928 · Not on view · The Museum of Modern Art

    Untitled, Walker Evans, c. 1928

    Untitled

    c. 1928 · Not on view · The Museum of Modern Art

    Untitled, Walker Evans, c. 1928

    Untitled

    c. 1928 · Not on view · The Museum of Modern Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Paris Street; Rainy Day, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Two Sisters (On the Terrace), 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    The Basket of Apples, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    Nighthawks, 1942

    Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

    Walker Evans

    Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

    Not on view · Art Institute of Chicago

    People Gathered in Windows Looking Down on Parade, July 6 Parade, Shanghai, Henri Cartier-Bresson, 1949

    Henri Cartier-Bresson

    People Gathered in Windows Looking Down on Parade, July 6 Parade, Shanghai, 1949

    Not on view · Art Institute of Chicago

    Woman Garment Worker, Lewis Wickes Hine, c. 1915

    Lewis Wickes Hine

    Woman Garment Worker, c. 1915

    Not on view · Art Institute of Chicago

    Child Labor on the Farm, Lewis Wickes Hine, 1930

    Lewis Wickes Hine

    Child Labor on the Farm, 1930

    Art Institute of Chicago

    Untitled [from Circulation, October 12 #50], Takuma Nakahira, 1971, printed 2017

    Takuma Nakahira

    Untitled [from Circulation, October 12 #50], 1971, printed 2017

    Not on view · Art Institute of Chicago

    Untitled [from Circulation, October 12 #79], Takuma Nakahira, 1971, printed 2017

    Takuma Nakahira

    Untitled [from Circulation, October 12 #79], 1971, printed 2017

    Not on view · Art Institute of Chicago

    Jannat, from the series "Notes from the Desert", Gauri Gill, 1999–2007

    Gauri Gill

    Jannat, from the series "Notes from the Desert", 1999–2007

    Not on view · Art Institute of Chicago

    Jannat, Gauri Gill, 1999–2007

    Gauri Gill

    Jannat, 1999–2007

    Not on view · Art Institute of Chicago