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  3. Stag with Long Antlers
Stag with Long Antlers, early 10th century BCE

Stag with Long Antlers

early 10th century BCE · Sculpture

May one see it?

Yes, receiving visitors

Harvard Art Museums

Cambridge, United States

Room3440, floor 3, Ancient Mediterranean and Middle Eastern Art

On public display.

Checked
3 days ago
In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

About the sculpture

This stag figurine is slim and has a substantial set of antlers. Tilted slightly to the right, the head is shaped like a long, narrow triangle. The antler’s first two points project vertically above the face. Two more backward-curving points are asymmetrically positioned along both antlers; each point terminates in a four-point double crescent formation. The upper right point at the end of the right antler has broken off. The front and hindquarters are pierced by holes c. 3 mm in diameter. A modern mounting element runs through the rear hole.

Read on

Harvard’s stag figurines probably represent male red or roe deer, wild species indigenous to the Caspian region of northwest Iran. These Asiatic deer, of which the red variety is larger, are known for their physical endurance, general robust nature, and environmental adaptability. Their most visually significant trait is their powerful antlers, which, shed and grown anew each year, are of maximum size and complexity when a deer is in its prime (1). A castrated fawn would never grow antlers, and those of an old stag would be short and simple. Thus, a buck bearing a large rack may be seen to epitomize sexual potency through his antlers, which are often used aggressively for fighting. Ancient Iranian deer figurines are consistently represented with exaggerated antlers, which may be interpreted as symbolizing ideal masculinity. Antlers are graceful sculptural elements, the stylization of which enhances the attractiveness of the figurines.

Stags are common in the artistic repertoire of northern Iran, where they are portrayed in a variety of media from the third millennium BCE through the Islamic period due to the long-established regional prominence of this animal. Deer figurines of the type represented by the Harvard pieces first appeared on the art market in the late 1950s and early 1960s, when they were acquired by museums and private collectors (2). According to dealers, these figurines had been discovered in the Caspian region of Iran. The systematic archaeological excavations that followed at the sites of Dailaman and Marlik produced several examples of these figurines from burial contexts (3). Archaeologists have dated these excavated pieces to c. 1000 BCE.

Both this example and 1978.506 are pierced, suggesting that they were worn as pendants or suspended in some other manner. It is not known whether they had merely a decorative function or fulfilled some other purpose.

NOTES:

1. See “True Deer (Family Cervidae)” in The Larousse Encyclopedia of Animal Life (New York, 1967) 596-601, esp. 596.

2. See E. L. B. Terrance, “Some Recent Finds from Northwest Persia,” Syria 39 (1962): 212-24, esp. 212-15; and R. Barnett, “A Review of Acquisitions 1955-62 of Western Asiatic Antiquities,” The British Museum Quarterly 26.3-4 (1963): 92-101, esp. 97, pl. 45a.

Particulars

Accession number
1978.505

In the same room · Gallery 3440, floor 3, Ancient Mediterranean and Middle Eastern Art, Harvard Art Museums

Museum page

3. See T. Sono and S. Fukai, Dailaman III: The Excavations at Hassani Mahale and Ghalekuti 1964, The Tokyo University Iraq-Iran Archaeological Expedition Report 8 (Tokyo, 1968) 19-20 and 31-32, pl. 38; and E. O. Negahban, Marlik: The Complete Excavation Report, University Museum Monograph 87 (Philadelphia, 1996) 129-31, pls. 45-46.

Amy Gansell

Harvard Art Museums

In the catalog

SculptureBronzeIranian

Sources

  • Harvard Art Museums
  • Image: Harvard Art Museums — © President and Fellows of Harvard College
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