St. Christopher, Facing to the Left, Albrecht Dürer, 1521
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

St. Christopher, Facing to the Left

1521 · Print

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Not on view at present

Where is “St. Christopher, Facing to the Left” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1958.119

In the catalog

Sources

In the life of Albrecht Dürer

The whole life
  1. 1507–1528 · Workplace

    Nuremberg

  2. 1519

    Death of Emperor Maximilian

    Maximilian, Dürer's chief patron, died just as the artist feared he was losing “my sight and freedom of hand” (perhaps from arthritis) and was increasingly drawn to Luther's writings. Shortly before the emperor's death Dürer had made his portrait.

  3. July 1520

    Journey to the Netherlands with his wife

    To renew his imperial pension and win the patronage of the new emperor, Charles V, Dürer travelled with his wife and her maid down the Rhine via Cologne to Antwerp, where he was warmly received. He attended the coronation at Aachen and saw van Eyck's Ghent Altarpiece and Michelangelo's Madonna of Bruges.

  4. 1520

    Antwerp asks him to stay; the circle of Erasmus

    Hoping to keep the famous artist, Antwerp's magistrates offered him 300 guilders a year, a house as a gift and all his taxes paid. In the Netherlands Dürer moved among aristocrats, ambassadors and scholars, Erasmus of Rotterdam among them.

  5. 4 October 1520

    Charles V confirms his pension

    The new emperor, Charles V, confirmed Dürer's right to his pension of 100 guilders a year; the main aim of the journey had been achieved.

  6. 1520–1521

    An illness caught in the Netherlands

    In the Netherlands Dürer caught an unknown illness, possibly malaria, whose attacks plagued him for the rest of his life. He drew himself pointing to his spleen, with the note: “Where the yellow spot is, and where I point with my finger, that is where it hurts.”

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On view at The Cleveland Museum of Art

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