Span-e-o-née-kaw, The Spaniard, George Catlin, 1828
George Catlin, portraitGeorge CatlinAmerican, 1796–1872

Span-e-o-née-kaw, The Spaniard

1828 · Painting · 47 × 35.7 cm

Can I see it?

Unknown

Where is “Span-e-o-née-kaw, The Spaniard” now? Collection: Smithsonian American Art Museum, Washington, D.C. Unknown.

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

Before he began his extensive travels in the West, George Catlin found his first Indian subjects in the East. Nine members of a Winnebago delegation from present-day Wisconsin sat for him in Washington, D.C., in 1828. Catlin wrote that he had painted the portraits of “Won-de-tow-a (the wonder), Wa-kon-chash-kaw (he who comes on the thunder), Nau-naw-pay-ee (the soldier), Span-e-o-nee-kaw (the Spaniard) Hoo-wan-ee-kaw (the little elk), No-ah-choo-she-kaw (he who breaks the bushes), and Naugh-haigh-ke-kaw (he who moistens the wood), all distinguished men of the tribe; and all at full length, as they will be seen standing in my Collection.” (Catlin, Letters and Notes, vol. 2, no. 52, 1841; reprint 1973)

Smithsonian American Art Museum

Details

Accession number
1985.66.214

What it shows

In the catalog

Sources

In the life of George Catlin

The whole life
  1. 1828

    Married: Clara Bartlett Gregory Catlin

  2. 1830

    First journey west with Governor Clark

    He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.

  3. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

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On view at Smithsonian American Art Museum

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