Sketchbook ("Banners"), Edward Burne-Jones, 1880s?
Edward Burne-Jones, portraitEdward Burne-JonesBritish, 1833–1898

Sketchbook ("Banners")

1880s? · Drawing

Can I see it?

Not on view at present

Where is “Sketchbook ("Banners")” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Mostly banner studies, with some figure studies and landscapes; studies after Michelangelo's "Dawn" and "Night," and for "The Tree of Forgiveness" (1881-82).

Harvard Art Museums

Details

Accession number
1943.1815.16

In the catalog

Sources

In the life of Edward Burne-Jones

The whole life
  1. 1870s

    Georgiana grows close to Morris

    In these difficult years Georgiana developed a friendship with Morris, whose wife Jane had fallen in love with Rossetti. If he asked her to leave her husband, she refused: both couples stayed together, and Georgiana and Morris remained close for the rest of their lives.

  2. 1878

    Exhibits “Laus Veneris”, “Le Chant d’Amour”, “Pan and Psyche”

    Following up the signal success of 1877, he exhibited “Laus Veneris”, “Le Chant d’Amour”, “Pan and Psyche” and other works, most of them painted in brilliant colours.

  3. 1884

    Legion of Honour for “King Cophetua”

    Burne-Jones received the Legion of Honour for his painting “King Cophetua and the Beggar Maid”.

  4. 1886

    “The Depths of the Sea”, his only Academy showing

    Elected an Associate of the Royal Academy in 1885, he exhibited there the following year for the only time, showing “The Depths of the Sea”, a mermaid carrying down a youth she has unconsciously drowned in the impetuosity of her love.

  5. 1890

    Acclaim for the second “Legend of Briar Rose”

    The second series of “The Legend of Briar Rose” was exhibited on its own and won admiration.

  6. 1891

    “The Star of Bethlehem” is exhibited

    The huge watercolour, painted for the corporation of Birmingham and dated 1890, was exhibited in 1891.

All works

On view at Harvard Art Museums

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