Sir Galahad, Edward Burne-Jones, 1858
Edward Burne-Jones, portraitEdward Burne-JonesBritish, 1833–1898

Sir Galahad

1858 · Drawing

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Not on view at present

Where is “Sir Galahad” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked October 12, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

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In this state since
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Accession number
1943.672

In the catalog

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In the life of Edward Burne-Jones

The whole life
  1. 1855–1856

    Discovers Malory’s “Le Morte d’Arthur”

    At twenty-two Burne-Jones discovered Thomas Malory’s “Le Morte d’Arthur”. The book became an inexhaustible source for him: he went on making drawings and paintings of its subjects for the rest of his life.

  2. 1856

    Meets Dante Gabriel Rossetti

    Admirers of Rossetti’s work, Burne-Jones and Morris met him by recruiting him as a contributor to the “Oxford and Cambridge Magazine”, founded by Morris in 1856 to promote the ideas of their Oxford “Brotherhood”. Under Rossetti’s influence both decided to become artists, and Burne-Jones, who had meant to enter the Church, left Oxford without taking a degree.

  3. 1856

    Engaged to Georgiana MacDonald

    Burne-Jones became engaged to Georgiana (Georgie) MacDonald, the sister of an old school friend, who was training as a painter; they married on 9 June 1860. Through her sisters he became brother-in-law to the painter Edward Poynter and uncle by marriage to Rudyard Kipling and Stanley Baldwin.

  4. 1857

    First stained-glass cartoon, for Bradfield College

    For Bradfield College he made the first of what became an immense series of cartoons for stained glass. Windows from his designs are still found in churches across the UK, with examples in the US and Australia.

  5. February 1857

    Rossetti ranks his drawings beside Dürer’s

    Rossetti wrote to William Bell Scott that Morris and Jones had recently come up to town from Oxford and turned artists instead of following the usual university career. Jones’s designs, he wrote, were marvels of finish and imaginative detail, unequalled unless perhaps by Dürer’s finest works.

  6. 1860

    Married: Georgiana Burne-Jones

All works

On view at Harvard Art Museums

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