
Images of boat-building and shipping occupied a prominent place in Constable's work in 1815. Boat-building near Flatford Mill, an oil paintingalso in the Museum's collection and exhibited at the Royal Academy that year, is the best known work on this theme. This small drawing, on the other hand, was made during a journey home from visiting a friend near Ipswich. Many of Constable's drawings from 1815 centre on Suffolk, no doubt because he spent half the year there looking after his ailing father.
Victoria and Albert Museum
1816
A marriage against the bride’s grandfather
Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.
October 1816
A honeymoon by the sea
After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.
2 October 1816
Married: Maria Bicknell
May one see it?
London, United Kingdom
It belongs to the collection, but is not on display at present.