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Senegalese Contingent, Closing Ceremony, Marilyn Nance, 1977, printed later
Marilyn Nance, portraitMarilyn NanceAmerican, 1953

Senegalese Contingent, Closing Ceremony

1977, printed later · Photograph

Can I see it?

Not on view at present

Where is “Senegalese Contingent, Closing Ceremony” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked October 12, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum
On the mapMuseum page
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Details

Accession number
2021.284

What it shows

African AmericanAfricanBlack cultureCritical HistoryPeoplePortraits of African people

In the catalog

PhotographsGelatin silver printContemporary art20th century

Sources

More by Marilyn Nance

All works
Sun Ra Rehearsing in FESTAC Village, Marilyn Nance, February 1977

Sun Ra Rehearsing in FESTAC Village

February 1977 · The Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, January 15, 1977

Nigeria FESTAC 77

January 15, 1977 · The Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 2019

Nigeria FESTAC 77

1977, printed 2019 · Not on view · Art Institute of Chicago

National Stadium Crowd, Marilyn Nance, 1977, printed later

National Stadium Crowd

1977, printed later · Not on view · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977

Nigeria FESTAC 77

1977 · Not on view · Art Institute of Chicago

USA Contingent, Closing Ceremony, National Stadium, Marilyn Nance, 1977, printed later

USA Contingent, Closing Ceremony, National Stadium

1977, printed later · Not on view · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 1978

Nigeria FESTAC 77

1977, printed 1978 · Not on view · Art Institute of Chicago

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers, Marilyn Nance, 1977

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers

1977 · Not on view · Art Institute of Chicago

On view at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

On the same theme · African American

All works on the theme
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Not on view · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Not on view · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Not on view · National Gallery of Art

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

Not on view · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, December 1941

Not on view · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), October 1943

Not on view · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), October 1943

Not on view · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), October 1943

Not on view · National Gallery of Art