May one see it?
Washington, D.C., United States
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
In Self-Portrait, Malvin Gray Johnson addresses the viewer with hat in hand and a somber gaze. By placing his painting Negro Masks (1932) in the background, Johnson presents his own face as a mask among others. Collapsing foreground and background, he uses modernist techniques to assert his identity as a modernist painter.
Smithsonian American Art Museum