Self-Portrait, Camille Pissarro, c. 1890
Camille Jacob Pissarro, portraitCamille Jacob PissarroFrench, 1830–1903

Self-Portrait

c. 1890 · Print

Can I see it?

Not on view at present

Where is “Self-Portrait” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
M12821

In the catalog

Sources

In the life of Camille Jacob Pissarro

The whole life
  1. 1880s

    A search for something new: peasant labour without idealisation

    By the 1880s some Impressionists felt the movement had exhausted itself, and Pissarro returned to scenes of country life, showing people at work without idealising them; in 1882 Renoir called these works “revolutionary”.

  2. 1880s

    Theo van Gogh asks him to take in Vincent

    The art dealer Theo van Gogh asked Pissarro whether he would take his elder brother Vincent as a lodger in his house; according to his son Lucien, Pissarro was impressed by Van Gogh's work, foresaw his fame and explained to him different ways of seeking and expressing light and colour.

  3. April 1884

    Settles at Éragny-sur-Epte

    In April 1884 Pissarro and his family settled at Éragny-sur-Epte, a village near Gisors, where he lived for the rest of his life; he wrote to his son Lucien that the house was superb, with a garden and meadows. The house, garden, orchard, meadows and farm workers became recurring subjects for the last nineteen years of his career.

  4. 1885–1888

    Pointillism: working beside Seurat and Signac

    In 1885 Pissarro came into close contact with Georges Seurat and Paul Signac, whose technique juxtaposed small strokes of relatively pure colour, and until 1888 he experimented extensively with it, regarding it not as a rejection of Impressionism but as a possible continuation of it; among the older Impressionists this was unusual.

  5. late 1880s

    Abandoning Neo-Impressionism

    By the end of the 1880s Pissarro found the method of divided colour too restrictive: it made it hard to respond freely to changing effects of nature, movement and personal sensation; what remained from the experiment was a heightened attention to colour relationships and a more structured handling of the surface.

  6. 1892

    Buying the house at Éragny with Monet's help

    When the Éragny house the Pissarros were renting was offered for sale in 1892, his old friend Claude Monet, who lived nearby at Giverny, agreed to make up to 15,000 francs available, helping Pissarro and his wife Julie buy it.

All works

On view at Harvard Art Museums

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