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Self-Portrait, Beauford Delaney, 1944
Beauford Delaney, portraitBeauford DelaneyAmerican, 1901–1979

Self-Portrait

1944 · Painting

About the painting

Beauford Delaney offered a penetrating, uncompromising view of himself in this self-portrait. The artist used bold, thick strokes of paint in bright colors to render a portrayal of vibrant yet haunting intensity—seemingly capturing his psyche as well as his appearance—which could allude to his struggle for personal and public acceptance as a gay black man.

The son of a Tennessee preacher, Delaney studied art in Boston before settling in 1929 in New York, where he befriended artists such as Georgia O’Keeffe and Jackson Pollock as well as writer James Baldwin, with whom he formed an especially deep, intellectual relationship of mutual inspiration and mentorship.

Art Institute of Chicago · CC BY 4.0

Particulars

1944 · aged 43
19011979
Accession number
1991.27

More by Beauford Delaney

All works

In the same room · Gallery 262, Art Institute of Chicago

Museum page

On the same theme · People

All works on the theme

May one see it?

Yes, receiving visitors

Art Institute of Chicago

Chicago, United States

Room262

On public display.

Checked
3 days ago
In this state since
Sep 28, 2026
Source
The museum
On the mapMuseum page

What it shows

PeoplePortrait

In the catalog

PaintingsOilAmerican paintingModernism20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder
Untitled, Beauford Delaney, c. 1958

Untitled

c. 1958 · The Cleveland Museum of Art

Untitled, Beauford Delaney, 1961

Untitled

1961 · Art Institute of Chicago

Untitled, Beauford Delaney, 1947

Untitled

1947 · Not on view · Minneapolis Institute of Art

Untitled, Beauford Delaney, 1954

Untitled

1954 · Not on view · Minneapolis Institute of Art

Untitled, Beauford Delaney, 1948

Untitled

1948 · Not on view · Whitney Museum of American Art

Untitled, Beauford Delaney, 1950

Untitled

1950 · Not on view · Whitney Museum of American Art

Paris Window, Beauford Delaney, 1953

Paris Window

1953 · Not on view · Whitney Museum of American Art

Composition 16, Beauford Delaney, 1954-56

Composition 16

1954-56 · Not on view · The Museum of Modern Art

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

The Rock, Peter Blume, 1944–48

Peter Blume

The Rock, 1944–48

The Artist Looks at Nature, Charles Sheeler, 1943

Charles Sheeler

The Artist Looks at Nature, 1943

Self-Portrait of My Sister, Gertrude Abercrombie, 1941

Gertrude Abercrombie

Self-Portrait of My Sister, 1941

Into the World There Came a Soul Called Ida, Ivan Albright, 1929–30

Ivan Albright

Into the World There Came a Soul Called Ida, 1929–30

Black Hole, Toshiko Takaezu, 2000

Toshiko Takaezu

Black Hole, 2000

Untitled, Toshiko Takaezu, 1995

Toshiko Takaezu

Untitled, 1995

Cobalt Blue, Toshiko Takaezu, 1991

Toshiko Takaezu

Cobalt Blue, 1991

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Art Institute of Chicago

Figure with Meat, Francis Bacon, 1954

Francis Bacon

Figure with Meat, 1954

Art Institute of Chicago

The Child's Bath, Mary Cassatt, 1893

Mary Cassatt

The Child's Bath, 1893

Art Institute of Chicago

American Collectors (Fred and Marcia Weisman), David Hockney, 1968

David Hockney

American Collectors (Fred and Marcia Weisman), 1968

Art Institute of Chicago

The Advance-Guard, or The Military Sacrifice (The Ambush), Frederic Remington, 1890

Frederic Remington

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890

Not on view · Art Institute of Chicago

The Fountain, Villa Torlonia, Frascati, Italy, John Singer Sargent, 1907

John Singer Sargent

The Fountain, Villa Torlonia, Frascati, Italy, 1907

Art Institute of Chicago

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, James McNeill Whistler, 1894

James Abbott McNeill Whistler

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894

Not on view · Art Institute of Chicago