Seated Youth Wrapped in a Himation

early 5th century BCE · Sculpture

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Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked: 2 days ago
In this state since: Sep 27, 2026
Source: The museum's own collection data

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About the sculpture

This beardless youth sits frontally, wrapped in a large himation that gives him a block-like appearance. The face is well modeled, with arching brows, large eyes, a small nose, and a slightly pursed mouth set in his squarish face. His ears are large, with the details of the inner ears carefully rendered. His hair is uncovered, with slightly wavy locks rendered clearly around the forehead and the nape of the neck. The himation is largely featureless except for folds around the neck and bulges indicating the placement of his arms and legs. There is a roll of fabric around the neck with creases radiating down toward his right arm and shoulder. His arms appear to be folded and resting on his lap, and his knees are sharply bent. The hem of the himation ends at the youth’s ankles, leaving his feet exposed.

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The feet are not well enough preserved to determine whether he wore sandals or was barefoot. Viewed in profile, the youth appears to slouch forward, and his shoulders appear to be slumped or rolled forward. The underside of the statuette is hollow from the waist down. The back of the torso is modeled, but all modeling ends at the level of the seat.

This seated figure first appeared on the art market with a very similar seated statuette of an older male, also wrapped in a himation; H. Cahn suggested that they might have decorated the shoulder of a volute krater (1). Two comparable statuettes of seated men wearing mantles are known from Dodona (2). Other statuettes of seated men in himatia are known, although some are classified as Etruscan or South Italian (3). Although much later and more elaborate than the examples discussed so far, the best intact representation of figures seated on the shoulder of a volute krater is the Derveni krater (4).

NOTES:

1. See Kunstwerke der Antike: Auktion 60, Münzen und Medaillen AG (Basel) Sept. 21, 1982, lots 98-99. The commentary for the two statuettes mentions a third in the National Museum of Lebanon, Beirut, said to be from the same findspot. The Beirut statuette, also bearded, is wrapped in a himation but rests his left elbow on his left knee and raises his hand to touch his face.

2. See S. Karusu, “ΤΕΧΝΟΥΡΓΟΙ ΚΡΑΤΗΡΩΝ: Fragmente bronzener Volutenkratere,” Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 94 (1979): 77-91, esp. 83, pls. 20-21.

3. Compare The Morven Collection of Ancient Art, Christie’s (New York) June 8, 2004, lot 420; and Antiquities, Sotheby’s (London) July 17-18, 1985, lot. 199, two statuettes representing a youth that are either the same object (drastically cleaned between sales) or were made from the same mold.

4. See B. Barr-Sharrar, The Derveni Krater Masterpiece of Classical Greek Metalwork (Princeton, 2008).

Lisa M. Anderson

Harvard Art Museums