Scene on the Rhine, John Ruskin, 19th century
John Ruskin, portraitJohn RuskinEnglish, 1819–1900

Scene on the Rhine

19th century · Print

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Not on view at present

Where is “Scene on the Rhine” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
M3437

In the catalog

Sources

In the life of John Ruskin

The whole life
  1. 8 February 1819

    Born

  2. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

  3. April – July 1854

    Effie leaves Ruskin and the marriage is annulled

    Suffering from illness and from fierce quarrels with her husband and his overly protective parents, Effie goes to her own parents in Scotland; she and Millais have fallen in love, and her leaving causes a public scandal. In April 1854 she files a suit of nullity on grounds of non-consummation, which is granted in July; Ruskin does not even mention it in his diary.

  4. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  5. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

  6. 20 January 1900

    Died

All works

On view at Harvard Art Museums

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