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  1. Collection/
  2. Albertina/
  3. Saturn
Saturn, Parmigianino, 1525–1527
Parmigianino, portraitParmigianinoItalian, 1503–1540

Saturn

1525–1527 · Print

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1525–1527
15031540

In the catalog

PrintsRenaissance16th century

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of Parmigianino

The whole life
  1. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  2. 1524–1527

    Joins the circle of Raphael's pupils

    In Rome Parmigianino grew close to Raphael's pupils working in the Vatican — Perino del Vaga, Baldassarre Peruzzi and Polidoro da Caravaggio — as well as Sebastiano del Piombo and Rosso Fiorentino; he copied the frescoes of Raphael's Stanze and the tapestry cartoons made for the Sistine Chapel. Vasari records that in Rome he was celebrated as “a Raphael reborn”.

  3. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  4. 1527

    Flees ravaged Rome for Bologna

    After the Sack of Rome Parmigianino moved to Bologna, where he spent four years by some accounts, nearly three by others. His first Bolognese work was “Saint Roch with a Donor” for the basilica of San Petronio, and here his palette grew cooler.

More by Parmigianino

All works
Le Mariage mystique de sainte Catherine, Parmesan, XVIe siècle (1500 - 1600)

Le Mariage mystique de sainte Catherine

16th century (1500–1600) · Musée du Louvre

Portræt af Lorenzo Cybo, Parmigianino, 1523

Portrait of Lorenzo Cybo

1523 · SMK

The Entombment (copy), Parmigianino, c. 1523

The Entombment (copy)

c. 1523 · State Hermitage Museum

The Boy and Two Old Men, Parmigianino

The Boy and Two Old Men

Not on view · National Gallery of Art

Saint Simon, Antonio da Trento after Parmigianino

Saint Simon

Not on view · National Gallery of Art

Saint Simon, Master F.P. after Parmigianino

Saint Simon

Not on view · National Gallery of Art

Virgin and Child, Parmigianino

Virgin and Child

Not on view · National Gallery of Art

The Presentation in the Temple, after Parmigianino after Giuseppe Porta

The Presentation in the Temple

Not on view · National Gallery of Art