Sarah Bernhardt dans "Lorenzaccio", Alphonse Mucha, 1896
Alphonse Mucha, portraitAlphonse MuchaCzech, 1860–1939

Sarah Bernhardt dans "Lorenzaccio"

1896 · Print · 215 × 83 cm

Can I see it?

Unknown

Where is “Sarah Bernhardt dans "Lorenzaccio"” now? Collection: Musée Jean-Cocteau - Collection Séverin Wunderman, Menton. Unknown.

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
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Accession number
2005.1.1285

In the catalog

Sources

In the life of Alphonse Mucha

The whole life
  1. autumn 1894

    Friendship with August Strindberg

    In late autumn 1894 he became friends with the playwright August Strindberg, with whom he shared interests in philosophy and mysticism.

  2. 1894

    First official recognition at the 1894 Salon

    Four of his illustrations for Seignobos’s book, including one depicting the death of Frederick Barbarossa, were chosen for display at the 1894 Paris Salon of Artists; he received a medal of honour, his first official recognition.

  3. 26 December 1894

    Sarah Bernhardt orders the poster for “Gismonda”

    Bernhardt telephoned Maurice de Brunhoff of the publishing firm Lemercier, ordering a poster for the continued run of Sardou’s “Gismonda” by 1 January 1895; because of the holidays none of the regular Lemercier artists was available, and Mucha, who happened to be at the firm correcting proofs, took the job.

  4. 1 January 1895

    The “Gismonda” poster appears on the streets of Paris

    The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.

  5. after 1 January 1895

    A contract with the printer Champenois and a new studio

    Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.

  6. 1897

    Retrospective at the Salon des Cent: 448 works

    Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.

All works

From the collection of Musée Jean-Cocteau - Collection Séverin Wunderman

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