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  3. Salome
Salome, Frans Stamkart, 1910 - 1915
FFrans Stamkart1874–1947

Salome

1910 - 1915 · Drawing

May one see it?

Unknown

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum
On the mapMuseum page

About the work

Because of its biblical subject matter, this drawing by Frans Stamkart can be characterised as Symbolist art. However, the characterisation applies less to the technique, for which Stamkart developed an unorthodox approach of erasing certain passages in chalk. As a result, a soft light seems to break through behind the figure, giving shimmering edges to the swirling clouds, gown and veils.

Rijksmuseum

Particulars

1910 - 1915
18741947
Accession number
RP-T-2019-75

In the catalog

Drawings & watercolorsChalkModernism20th century

Sources

  • Rijksmuseum
  • Image: Rijksmuseum — public domain

More by Frans Stamkart

All works
Contemplatie, Frans Stamkart, 1884 - 1947

Contemplatie

1884 - 1947 · Rijksmuseum

Gedachten aan 't oneindige, Frans Stamkart, 1884 - 1947

Gedachten aan 't oneindige

1884 - 1947 · Rijksmuseum

Danseres, Frans Stamkart, 1910 - 1915

Danseres

1910 - 1915 · Rijksmuseum

Neighbors at Rijksmuseum

Museum page
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

The Night Watch, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

The Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634