ART WIKI32,963 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. J. Paul Getty Museum/
  3. Saint Andrew
Saint Andrew, Masaccio, 1426
Masaccio, portraitMasaccioItalian, 1401–1428

Saint Andrew

1426 · Painting · 52.4 × 32.1 cm

May one see it?

Not receiving at present

JPG
J. Paul Getty Museum

Los Angeles, United States

It belongs to the collection, but is not on display at present.

Checked
11 hours ago
In this state since
Oct 7, 2026
Source
The museum
On the mapMuseum page

About the painting

Saint Andrew is identified by his attributes of a cross and a book. The cross refers to his martyrdom by crucifixion. The *Saint Andrew* panel was originally part of the upper right tier of a large altarpiece commissioned by a wealthy public officer for a church in Pisa. St. Andrew's haunting gaze in this painting is turned toward Christ on the cross, shown in the altarpiece's upper middle panel. Other panels of the fifteen-foot-tall altarpiece are in museums throughout Europe. The modulation of light and shadow in Saint Andrew's robe gives the illusion of physical weight and solidity to the figure underneath. Masaccio was famous for his innovative depiction of three-dimensional forms in painting and his ability to portray figures with convincing physical and emotional presence.

JPGJ. Paul Getty Museum

Particulars

1426 · aged 25
14011428
Accession number
79.PB.61

In the catalog

PaintingsTemperaItalian paintingRenaissance15th centuryItalian

Sources

  • J. Paul Getty Museum
  • Image: J. Paul Getty Museum — Open Content

More by Masaccio

All works
Saints Jerome and John the Baptist, Masaccio, 1420s

Saints Jerome and John the Baptist

1420s · The National Gallery

A Young Man in a scarlet turban, Masaccio, 1420s

A Young Man in a scarlet turban

1420s · Isabella Stewart Gardner Museum

The Madonna of Humility, Masaccio, c. 1423/1424

The Madonna of Humility

c. 1423/1424 · Not on view · National Gallery of Art

Madonna and Child, Masaccio, 1426

Madonna and Child

1426 · The National Gallery

Procession of Figures, Masaccio, 18th/19th century

Procession of Figures

18th/19th century · Not on view · Art Institute of Chicago

Un apôtre, Masaccio, 19e siècle

Un apôtre

Musée Ingres-Bourdelle

Neighbors at J. Paul Getty Museum

Museum page
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Irises, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632