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  1. Collection/
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  3. Reflections - Venice
Reflections - Venice, Alfred Stieglitz, c. 1894, printed 1897
Alfred Stieglitz, portraitAlfred StieglitzAmerican, 1864–1946

Reflections - Venice

c. 1894, printed 1897 · Photograph

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Sep 27, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

c. 1894, printed 1897
18641946
Accession number
P1969.86

In the catalog

PhotographsImpressionism19th centuryAmerican

Sources

  • Harvard Art Museums: the museum's own open data · fetched 8 days ago
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of Alfred Stieglitz

The whole life
  1. spring 1893

    Co-editor of The American Amateur Photographer

    In the spring of 1893 Stieglitz became co-editor of The American Amateur Photographer but refused a salary: his Photochrome company was now printing the magazine's photogravures, and he wanted to avoid any appearance of bias.

  2. c. 16.11.1893

    Married: Emmeline Stieglitz

  3. May 1896

    Vice-president of the new Camera Club

    In May 1896 two organisations merged to form the Camera Club of New York; offered the presidency, Stieglitz became vice-president instead and was involved in every aspect of the club. Late that year he hand-pulled the photogravures for the first portfolio of his own work, Picturesque Bits of New York and Other Studies.

  4. July 1897

    First issue of Camera Notes

    Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.

  5. 27 September 1898

    Daughter born: Katherine Stieglitz

  6. May 1899

    A one-man show of 87 prints

    In May 1899 the Camera Club gave Stieglitz a one-man exhibition of eighty-seven prints. Preparing it while producing Camera Notes took a toll on his health; he brought in his friends Joseph Keiley and Dallet Fuguet, who were not Club members, as associate editors, and older members began campaigning against him, embroiling him throughout 1900 in protracted administrative battles.

More by Alfred Stieglitz

All works
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · The Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · The Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · The Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Not on view · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Not on view · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Not on view · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Not on view · National Gallery of Art

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