Reclining Female Nude, Amedeo Modigliani, 1914
Amedeo Modigliani, portraitAmedeo ModiglianiItalian, 1884–1920

Reclining Female Nude

1914 · Drawing

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Not on view at present

Where is “Reclining Female Nude” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1950.456

In the catalog

Sources

In the life of Amedeo Modigliani

The whole life
  1. 1912

    Sculpted heads at the Salon d’Automne

    In 1912 Modigliani shows seven sculpted heads at the Salon d’Automne, and some of them are even bought. There he meets the sculptors Jacob Epstein and Jacques Lipchitz.

  2. by 1914

    Gives up sculpture for painting

    By 1914 Modigliani abandons sculpting and focuses solely on painting, a move precipitated by the difficulty of acquiring sculptural materials once the war breaks out, and by his physical debilitation.

  3. 1914

    Paul Guillaume replaces Paul Alexandre

    Paul Alexandre, called up into the army, terminates his contract with the artist, and Modigliani’s new patron becomes the gallery owner and collector Paul Guillaume, who exhibits his work in his gallery.

  4. from 1914

    Drink, drugs and the advance of tuberculosis

    From about 1914 Modigliani’s use of drink and drugs intensifies; after years of remission and recurrence the symptoms of his tuberculosis worsen, signalling that the disease has reached an advanced stage.

  5. June 1914

    Beatrice Hastings

    Modigliani meets the talented and eccentric Englishwoman Beatrice Hastings, a poet and columnist for The New Age, who becomes his companion, muse and favourite model: he devotes 14 portraits to her. The relationship lasts about two years.

  6. 1916

    Léopold Zborowski, friend and dealer

    Modigliani befriends the Polish poet and art dealer Léopold Zborowski and his wife Anna; in the artist’s final years Zborowski is his primary dealer and friend. He lends Modigliani his apartment, supplies models and painting materials, and pays him between fifteen and twenty francs a day.

All works

On view at The Cleveland Museum of Art

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