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  1. Collection/
  2. Victoria and Albert Museum/
  3. Puss in Boots
Puss in Boots, Beatrix Potter, 06/1894
Beatrix Potter, portraitBeatrix Potter1866–1943

Puss in Boots

06/1894 · Drawing · 16.6 × 20.6 cm

Particulars

06/1894 · aged 28
18661943
Accession number
LC 21/A/3

Meanwhile, in the life of Beatrix Potter

The whole life
  1. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  2. 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  3. summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

  4. September 1893

    A letter to Noel Moore about four rabbits

    In September 1893, on holiday at Eastwood near Dunkeld, Beatrix ran out of things to write to Noel, the often-ill eldest son of her former governess Annie Carter Moore, and told him a story about “four little rabbits whose names were Flopsy, Mopsy, Cottontail, and Peter”. It became one of the most famous children’s letters ever written and the basis of her future career; it was Annie who later suggested that such letters might make good children’s books.

More by Beatrix Potter

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Cat

All works on the theme
  • 1895–1897

    A theory of spore germination, and Kew Gardens

    In 1895, curious about how fungi reproduce, Beatrix began microscopic drawings of agaric spores and developed a theory of their germination. Through her uncle, the chemist Sir Henry Roscoe, she consulted botanists at Kew and convinced George Massee of her ability to germinate spores, but William Thiselton-Dyer, the director of Kew, rebuffed her because of her sex and amateur status.

  • May one see it?

    Not receiving at present

    Victoria and Albert Museum

    London, United Kingdom

    It belongs to the collection, but is not on display at present.

    Checked
    13 days ago
    In this state since
    Sep 25, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    CatOwlsCastlesBootsWindmillWebCrownCoinsSealStaircaseInkwellNewel posts

    In the catalog

    Drawings & watercolorsPen and inkImpressionism19th centuryGreat Britain

    Sources

    • Victoria and Albert Museum
    • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Not on view · Victoria and Albert Museum

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    De slaap van de rede brengt monsters voort, Francisco de Goya, 1797 - 1799

    Francisco de Goya

    De slaap van de rede brengt monsters voort, 1797 - 1799

    Rijksmuseum

    Manuel Osorio Manrique de Zuñiga (1784–1792), Goya, 1787–88

    Francisco de Goya

    Don Manuel Osorio de Zuniga, 1787–88

    The Metropolitan Museum of Art

    The Bath (Le bain), Pablo Picasso, 1905, published 1913

    Pablo Picasso

    The Bath (Le bain), 1905, published 1913

    Not on view · National Gallery of Art

    Le Chat (The Cat), Pablo Picasso, 1941/1942

    Pablo Picasso

    Le Chat (The Cat), 1941/1942

    Not on view · National Gallery of Art

    The Cat (Le Chat) (plate VI) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942

    Pablo Picasso

    The Cat (Le Chat) (plate VI) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), 1936, published 1942

    Not on view · The Museum of Modern Art

    Philip's Skull (Cat Scan), Andy Warhol, c. 1983

    Andy Warhol

    Philip's Skull (Cat Scan), c. 1983

    Not on view · The Museum of Modern Art

    Rue Saint Denis, fête du 30 juin 1878 (titre moderne) ; la rue Montorgueil pavoisée (Ancien titre mentionné dans les cat.1911, 1967, 1978), Claude Monet, 1878

    Claude Monet

    Rue Saint Denis, fête du 30 juin 1878 (titre moderne) ; la rue Montorgueil pavoisée (Ancien titre mentionné dans les cat.1911, 1967, 1978), 1878

    Musée des Beaux-Arts de Rouen

    The Virgin and Child with the Cat and Snake, Rembrandt van Rijn, 1654

    Rembrandt van Rijn

    The Virgin and Child with the Cat and Snake, 1654

    Not on view · National Gallery of Art