Proyecto de ventanal para la Casa Sorolla, Joaquín Sorolla Bastida, 1911
Joaquín Sorolla, portraitJoaquín SorollaSpanish, 1863–1923

Proyecto de ventanal para la Casa Sorolla

1911 · Drawing

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Where is “Proyecto de ventanal para la Casa Sorolla” now? Collection: Sorolla Museum, Madrid. Unknown.

Sorolla Museum

Madrid, Spain

The owner is known; whether it is on view today is not.

In this state since
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About the work

Museum text in Spanish

Anverso: Proyecto de ventanal para la Casa Sorolla Ventana rectangular con la parte superior decorada con arco de medio punto. En la parte inferior, muro a modo de repisa en el que descansan dos columnas que dividen ópticamente en tres el ventanal. La ventana está cubierta por retícula con vidrios. A la derecha, visto con la hoja en vertical, parte de un rectángulo con dos divisiones a modo de columnas. Reverso: Ventanal del salón de la Casa Sorolla Ventana rectangular con dos columnas que descansan sobre una repisa o murete bajo en la parte inferior de la ventana. En éste, está sentada una figura femenina, muy esbozada, que se recuesta en la columna de la derecha. La ventana está cubierta por retícula con vidrios.

Sorolla Museum

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In the life of Joaquín Sorolla

The whole life
  1. 1909

    New York show: 195 of 356 paintings sold

    The exhibition at the Hispanic Society of America comprised 356 paintings, 195 of which were sold. Sorolla spent five months in America and painted more than twenty portraits.

  2. 1911

    Contract with Huntington for a series on Spain

    In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.

  3. early 1911

    Second US visit: St. Louis and Chicago

    Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.

  4. 1911–1919

    Through the provinces of Spain to paint from life

    Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.

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