Prairie Bluffs Burning

1832 · Painting · 28.6 × 36.7 cm

May one see it?

Unknown

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since: Sep 25, 2026
Source: The museum

On the map Museum page

About the painting

“The prairies burning form some of the most beautiful scenes that are to be witnessed in this country, and also some of the most sublime. Every acre of these vast prairies (being covered for hundreds and hundreds of miles, with a crop of grass, which dies and dries in the fall) burns over during the fall or early in the spring, leaving the ground of a black and doleful colour . . . Over the elevated lands and prairie bluffs, where the grass is thin and short, the fire slowly creeps with a feeble flame, which one can easily step over; where the wild animals often rest in their lairs until the flames almost burn their noses, when they will reluctantly rise, and leap over it, and trot off amongst the cinders, where the fire has passed and left the ground as black as jet.” George Catlin sketched this scene on his 1832 Missouri River voyage. (Catlin, Letters and Notes, vol. 2, no. 33, 1841; reprint 1973)

Smithsonian American Art Museum

Particulars

Accession number: 1985.66.375

What it shows

Mountains Landscape Animal Disasters Fire Lakes Plains

In the catalog

Paintings Oil American painting Romanticism 19th century

Sources

Smithsonian American Art Museum
Image: Smithsonian American Art Museum — CC0

Meanwhile, in the life of George Catlin

The whole life

1830
First journey west with Governor Clark
He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.
1830–1836
Five journeys into the American West
St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.
1832
Up the Missouri to Fort Union
He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.
March 1833
Prince Maximilian’s expedition sees his work
At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.
spring 1834
Fort Gibson: portraits of Cherokee, Choctaw, Osage
Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.
19 June 1834
With the dragoons onto the Southern Plains
He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.