Helen FrankenthalerAmerican, 1928–2011Postcard Stone
May one see it?
Not receiving at present
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 1982.461a
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of Helen Frankenthaler
The whole life1960
First museum retrospective at the Jewish Museum
A retrospective of her work of the 1950s at the Jewish Museum is her first major museum show; the catalogue is written by the critic and poet Frank O’Hara, a curator at the Museum of Modern Art.
1960
Her work is described as “colour field painting”
In 1960 the term “colour field painting” is used to describe Frankenthaler’s work: large areas of colour on the canvas, hues similar in tone or intensity, large formats and simplified compositions.
1963
A switch to acrylic paints
From 1963 she uses acrylic paints rather than oils, because they allow for both opacity and sharpness on the canvas.
1964
The “Post-Painterly Abstraction” exhibition
Clement Greenberg includes her in the exhibition “Post-Painterly Abstraction”, which introduces a newer generation of abstract painting that comes to be known as colour field.
