Penny Picture Display, Savannah, Walker Evans, 1936, printed c. 1962
Walker Evans, portraitWalker EvansAmerican, 1903–1975

Penny Picture Display, Savannah

1936, printed c. 1962 · Photograph

Can I see it?

Not on view at present

Where is “Penny Picture Display, Savannah” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Walker Evans was remarkably adept at straddling the cultural divide between documentary photography and the museum. One of several photographers hired by the Farm Security Administration to document the Depression, Evans made some of his most famous images in the summer of 1936: pictures of impoverished families in Hale County, Alabama, later published in his book Let Us Now Praise Famous Men. Just two years later, he was honored with a one-person show at the Museum of Modern Art, New York, which had only recently embraced photography as an art form. This image of the many portraits in a photographer’s studio—an homage to the workaday photographer and the faces of ordinary Americans—became, in the context of a museum exhibition, a statement about the art and meaning of photography.

Art Institute of ChicagoCC BY 4.0

Details

Accession number
1962.148

In the catalog

Sources

In the life of Walker Evans

The whole life
  1. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  2. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

  3. 1938

    “Walker Evans: American Photographs” at MoMA

    The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.

  4. until 1938

    The end of his FSA work

    Evans continues to work for the Farm Security Administration until 1938.

  5. 1938–1939

    Working with and mentoring Helen Levitt

    In 1938 and 1939 Evans works with and mentors Helen Levitt.

  6. 1941

    “Let Us Now Praise Famous Men” is published

    Evans's photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression are published as the groundbreaking book “Let Us Now Praise Famous Men”. Its detailed account of three farming families paints a deeply moving portrait of rural poverty.

All works

On view at Art Institute of Chicago

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