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  3. Orpheus and Eurydice
Orpheus and Eurydice, Jean Raoux, about 1709
Jean Raoux, portraitJean RaouxFrench, 1677–1734

Orpheus and Eurydice

about 1709 · Painting · 205.7 × 203.2 cm

May one see it?

Not receiving at present

JPG
J. Paul Getty Museum

Los Angeles, United States

It belongs to the collection, but is not on display at present.

Checked
11 hours ago
In this state since
Oct 7, 2026
Source
The museum
On the mapMuseum page

About the painting

In the center of the picture, Orpheus leads his wife, Eurydice, out of Hades after having won her release by his enchanting violin playing. Pluto, ruler of Hades, and his wife Proserpine observe their departure from the upper left. The three Fates ominously spin the future at the left, foreshadowing Orpheus's eventual downfall. He broke the one condition that Proserpine had set for Eurydice's return to earth: he could not look at her until they had lef the netherworld. On reaching earthly light, Orpheus could not resist a glimpse, and Eurydice vanished forever. Jean Raoux painted the scene in a highly theatrical manner, spotlighting the figures and arranging them as if on a stage. The action seems especially compressed because the canvas was cut down on all sides early in the twentieth century.

JPGJ. Paul Getty Museum

Particulars

about 1709 · aged 32
16771734
Accession number
73.PA.153

In the catalog

PaintingsOilFrench paintingBaroque18th centuryFrench

Sources

  • J. Paul Getty Museum
  • Image: J. Paul Getty Museum — Open Content

More by Jean Raoux

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Télémaque raconte ses aventures à Calypso, Raoux, Jean, 1e quart du XVIIIe siècle (1722)

Télémaque raconte ses aventures à Calypso

first quarter of the 18th century (1722) · Musée du Louvre

Portrait de Mme Nicolas de Poulhariez (née Marie Marguerite Fresalz de Lisle), Jean Raoux, 1er quart 18e siècle

Portrait de Mme Nicolas de Poulhariez (née Marie Marguerite Fresalz de Lisle)

Musée des Beaux-Arts de Carcassonne

Vestal Virgin, Jean Raoux, 1703

Vestal Virgin

1703 · Not on view · State Hermitage Museum

Jeune femme lisant une lettre, Raoux, Jean, 1e quart du XVIIIe siècle (vers 1717 - 1718)

Jeune femme lisant une lettre

first quarter of the 18th century (c. 1717–1718) · Not on view · Musée du Louvre

Pygmalion amoureux de sa statue, Raoux, Jean, 1e quart du XVIIIe siècle (1717)

Pygmalion amoureux de sa statue

first quarter of the 18th century (1717) · Musée du Louvre

Обоняние (из серии пять чувств), Jean Raoux, late 1720s – early 1730s

Обоняние (из серии пять чувств)

late 1720s – early 1730s · Pushkin State Museum of Fine Arts

Вкус (Из серии пять чувств), Jean Raoux, late 1720s – early 1730s

Вкус (Из серии пять чувств)

late 1720s – early 1730s · Pushkin State Museum of Fine Arts

Portrait dit de Mme Titon de Coigny, Raoux, Jean, 1e quart du XVIIIe siècle (vers 1723)

Portrait dit de Mme Titon de Coigny

first quarter of the 18th century (c. 1723) · Not on view · Musée du Louvre

Neighbors at J. Paul Getty Museum

Museum page
Irises, Vincent van Gogh, 1889

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Irises, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632