ART WIKI 33,040 on view

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ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Herzog Anton Ulrich Museum
ohne Titel

ohne Titel, Anthony van Dyck, 17th century

Anthony van Dyck, portrait

Anthony van DyckFlemish, 1599–1641

ohne Titel

17th century · Drawing

May one see it?

Unknown

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since: Sep 27, 2026
Source: The museum

On the map Museum page

Particulars

Meanwhile, in the life of Anthony van Dyck

22 March 1599
Born
from 1617
Beginning of Work with Rubens
From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
27 February 1640
Married: Mary Ruthven
9 December 1641
Died

More by Anthony van Dyck

From the collection of Herzog Anton Ulrich Museum

On the same theme · Bart

All works on the theme

What it shows

Rüstung, Panzer Bart Erwachsener Mann (+ stehen)

In the catalog

Drawings & watercolors Baroque 17th century

Sources

Herzog Anton Ulrich Museum
Image: Herzog Anton Ulrich Museum — CC BY-NC-SA 4.0

The Betrayal of Christ, Anthony van Dyck, c. 1618–20

The Betrayal of Christ

c. 1618–20 · Minneapolis Institute of Art

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622

Lucas van Uffel (died 1637)

ca. 1622 · The Metropolitan Museum of Art

Queen Henrietta Maria, Anthony van Dyck, 1636

Queen Henrietta Maria

1636 · The Metropolitan Museum of Art

Maria Stuart en Willem II, Anthony van Dyck, 1641

Maria Stuart en Willem II

1641 · Rijksmuseum

Two Tritons at the Feast of Acheloüs, Anthony van Dyck

Two Tritons at the Feast of Acheloüs

The Metropolitan Museum of Art

Rest on the Flight into Egypt (Madonna with Partridges), Anthony van Dyck, 17th century

Rest on the Flight into Egypt (Madonna with Partridges)

17th century · State Hermitage Museum

Le Christ mort pleuré par la Vierge et des anges, Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Le Christ mort pleuré par la Vierge et des anges

17th century (1600–1700) · Musée du Louvre

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684), Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684)

17th century (1600–1700) · Musée du Louvre

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

[Bärtiger Greis mit weißem Ärmel; Bust of an Old Man with Flowing Beard and White Sleeve; Vieillard à grande barbe et tête chauve], Rembrandt, 1630

Rembrandt van Rijn

[Bärtiger Greis mit weißem Ärmel; Bust of an Old Man with Flowing Beard and White Sleeve; Vieillard à grande barbe et tête chauve], 1630

Herzog Anton Ulrich Museum

Rembrandt van Rijn

[Kahlköpfiger Mann mit kurzem Bart im Profil nach rechts; Bald Old Man with a Short Beard in Profile Right;Vieillard chauve à courte barbe], 1635

Herzog Anton Ulrich Museum

[Brustbild eines Greises mit wallendem Bart und nach unten geneigtem Kopf; Bust of an Old Man with a Flowing Beard: The Head Bowed Forward: Left Shoulder Unshaded; Vieillard à barbe carrée fort large], Rembrandt, 1630

Rembrandt van Rijn

[Brustbild eines Greises mit wallendem Bart und nach unten geneigtem Kopf; Bust of an Old Man with a Flowing Beard: The Head Bowed Forward: Left Shoulder Unshaded; Vieillard à barbe carrée fort large], 1630

Herzog Anton Ulrich Museum

Kopfstudie, Greis im Mantel, Rembrandt, 1723–1772

Rembrandt van Rijn

Kopfstudie, Greis im Mantel, 1723–1772

Herzog Anton Ulrich Museum

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Herzog Anton Ulrich Museum

[Alter Mann mit gespaltener Pelzmütze; Old Man with a Divided Fur Cap; Vieillard à barbe carrée], Rembrandt, 1640

Rembrandt van Rijn

[Alter Mann mit gespaltener Pelzmütze; Old Man with a Divided Fur Cap; Vieillard à barbe carrée], 1640

Herzog Anton Ulrich Museum

[Ein Mann im Dreiviertelprofil mit hoher Mütze; Bust of a Man Wearing a High Cap, Three-Quarters Right: The Artist's Father (?); Homme à moustaches relevées, et assis], Rembrandt, 1630

Rembrandt van Rijn

[Ein Mann im Dreiviertelprofil mit hoher Mütze; Bust of a Man Wearing a High Cap, Three-Quarters Right: The Artist's Father (?); Homme à moustaches relevées, et assis], 1630

Herzog Anton Ulrich Museum

Moses zerschmettert die Gesetzestafeln, Rembrandt, 1770

Rembrandt van Rijn

Moses zerschmettert die Gesetzestafeln, 1770

Herzog Anton Ulrich Museum