Claude MonetFrench, 1840–1926Nymphéas
May one see it?
Unknown: the museum keeps its counsel
Musée Blanche Hoschedé-Monet
Vernon, France
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- In this state since
- Source
- The museum's own collection data
About the painting
In the museum's own words — in French
Huile sur toile ; Vue d'une partie de l'étang aux nymphéas dans le jardin de l'artiste à Giverny, sous forme de plan rapproché avec des nymphéas éclos et les reflets des arbres. Composition inscrite dans un format de toile rond. La juxtaposition de touches extrêmement proches les unes des autres, de couleur verte, bleue, rose et jaune, confère au tableau une légère vibration dans le rendu des mouvements de l'eau.
Musée Blanche Hoschedé-Monet
Particulars
- Accession number
- 25.4.1
What it shows
In the catalog
Sources
- Musée Blanche Hoschedé-Monet: the museum's own open data · fetched 2 days ago
- Image: Musée Blanche Hoschedé-Monet — © musée Alphonse-Georges Poulain ; © Service des musées de France, 2024; Ministère de la Culture (France), base Joconde
Meanwhile, in the life of Claude Monet
The whole life1883–1926 · Workplace
Giverny
October – December 1908
Three months in Venice
At the invitation of Mary Hunter, Monet and Alice arrived in Venice on 1 October 1908; going out daily by gondola, the artist created 37 Venetian canvases. On 12 December he sold them to the Bernheim-Jeune brothers for 12,000 francs each.
6 May 1909
The "Les Nymphéas" exhibition
After several postponements, an exhibition of 48 "Water Lilies" canvases of 1903–1908 opened at Durand-Ruel's — Monet's largest and most unified series to date. The exhibition was a success.
