Giorgio de ChiricoItalian, 1888–1978Nu
May one see it?
Unknown: the museum keeps its counsel
Musée d'Art moderne de Paris
Paris, France
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- In this state since
- Source
- The museum's own collection data
Particulars
- Accession number
- AMVP 1872
In the catalog
Sources
- Musée d'Art moderne de Paris: the museum's own open data · fetched 2 days ago
- Image: Musée d'Art moderne de Paris — © Adagp, Paris - Crédit photographique: Eric Emo/Parisienne de Photographie; Ministère de la Culture (France), base Joconde
Meanwhile, in the life of Giorgio de Chirico
The whole life1928
A first exhibition in New York, then in London
In 1928 de Chirico holds his first exhibition in New York City and, shortly afterwards, in London.
1929
The novel “Hebdomeros” appears
In 1929 (by other accounts, in 1925) de Chirico's novel “Hebdomeros, the Metaphysician” appears; around then he also writes essays on art and other subjects. The poet John Ashbery has called the book probably the finest major work of Surrealist fiction.
1929
Stage designs for Sergei Diaghilev
In 1929 de Chirico makes stage designs for Sergei Diaghilev.
1929–1930
Illustrations for Apollinaire's “Calligrammes”
In 1929–1930 de Chirico creates illustrations for Guillaume Apollinaire's “Calligrammes” — the poet who was among the first to praise his work and who helped introduce it to the later Surrealists.
1930
Meeting Isabella Pakszwer
In 1930 de Chirico meets Isabella Pakszwer Far (1909–1990), a Russian, with whom he will remain for the rest of his life; his marriage to Raissa Gurievich ends in divorce in 1931.
1932–1944
Italy, the US and finally Rome: 1932–1944
In 1932 de Chirico and Isabella move to Italy, in 1936 to the US, and in 1944 they finally settle in Rome.
