New York City, Robert Frank, 1949, printed 1978
Robert Frank, portraitRobert FrankAmerican, 1924–2019

New York City

1949, printed 1978 · Photograph

Can I see it?

Not on view at present

Where is “New York City” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1992.786

In the catalog

Sources

In the life of Robert Frank

The whole life
  1. 1947

    Emigrates to the United States

    He emigrates to the United States and secures a job in New York City as a fashion photographer for Harper’s Bazaar.

  2. 1955–1957

    Across America on a Guggenheim Fellowship

    Inspired by Jakob Tuggener’s Fabrik, Bill Brandt’s The English at Home and Walker Evans’s American Photographs, and on the recommendation of Evans, Alexey Brodovitch, Alexander Liberman, Edward Steichen and Meyer Schapiro, he secures a Guggenheim Fellowship in 1955 to travel across the United States and photograph all strata of its society, from Detroit and Dearborn to Savannah, Miami Beach and St. Petersburg, New Orleans, Houston, Los Angeles, Reno, Salt Lake City, Butte and Chicago. Over two years of road trips, part of them with his family, he takes 28,000 shots, of which he selects 83 for The Americans.

  3. 1958

    “Les Américains” is published in Paris

    Because his images depart from contemporary photographic standards, Frank has difficulty at first in securing an American publisher, and the book is first published in Paris by Robert Delpire in the Encyclopédie Essentielle series, with texts by Simone de Beauvoir, Erskine Caldwell, William Faulkner, Henry Miller and John Steinbeck positioned opposite the photographs.

  4. 1959

    “The Americans” in the U.S.: harsh criticism

    The book is finally published in the United States by Grove Press, without the texts but with Kerouac’s introduction, and initially receives substantial criticism: Popular Photography derides the images as meaningless blur, grain, muddy exposures, drunken horizons and general sloppiness. Sales are poor at first too, but the popular Kerouac’s introduction helps it reach a larger audience, and over time The Americans becomes a seminal work in American photography and art history, the work with which Frank is most clearly identified.

  5. 1971 · Residence

    Mabou

  6. 1974

    Death of his daughter Andrea

    His daughter Andrea is killed in a plane crash in Tikal, Guatemala. The loss shapes much of his later work, and his reputation as a recluse who declines most interviews and public appearances grows particularly after it.

All works

On view at Art Institute of Chicago

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