
Félix Edouard VallottonFrench, 1865–1925Murder
May one see it?
Not receiving at present
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Particulars
- Accession number
- 368.1948
In the catalog
Sources
- The Museum of Modern Art
- Image: The Museum of Modern Art — © the artist or rights holder
Meanwhile, in the life of Félix Edouard Vallotton
The whole life1889–1903 · Membership
Les Nabis
1890–1897
Art critic for the Gazette de Lausanne
To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.
1891
Leaves the Salon for the Indépendants
Showing at the official Salon des Artistes for the last time, Vallotton exhibited six paintings at the avant-garde Salon des Indépendants for the first time. Commissions from Swiss patrons began to arrive at the same time.
1892
“The Foreign Nabi” and friendship with Vuillard
Among the Nabis — Bonnard, Roussel, Maurice Denis — Vallotton found a lifelong friend in Édouard Vuillard; he kept a little apart from the others, earning the jocular title of “the Foreign Nabi”.
1893–1897
Woodcuts for La Revue Blanche; the Natansons' patronage
His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.









