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  1. Collection/
  2. Harvard Art Museums/
  3. Military Scene
Military Scene, John Singer Sargent, 1918
John Singer Sargent, portraitJohn Singer SargentAmerican, 1856–1925

Military Scene

1918 · Drawing

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1918 · aged 62
18561925
Accession number
1937.7.34.1

In the catalog

Drawings & watercolorsGraphiteModernism20th centuryAmerican

Sources

  • Harvard Art Museums
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of John Singer Sargent

The whole life
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1916

    Sells “Madame X” to the Metropolitan Museum

    Sargent keeps “Madame X” prominently displayed in his London studio until he sells it in 1916 to the Metropolitan Museum of Art, after moving to the United States and a few months after Gautreau's death.

  3. 1916

    An honorary degree from Harvard University

    In 1916 Harvard University awards Sargent an honorary degree.

  4. 1918

    Commissioned as a war artist

    On his return to England in 1918 after a visit to the United States Sargent is commissioned as a war artist by the British Ministry of Information; he depicts scenes from the Great War in his large painting “Gassed” and in many watercolours.

  5. Good Friday 1918

    His niece Rose-Marie killed in the shelling of Paris

    On Good Friday 1918 his niece Rose-Marie dies in the shelling of the church of St Gervais in Paris; Sargent is deeply affected by her death.

  6. late 1919

    The row over the murals “The Church” and “The Synagogue”

    The paintings “The Church” and “The Synagogue”, installed in late 1919, portray Christianity as a lovely, radiant young woman and Judaism as a blind, ugly hag, and seem to Boston's Jews to show Judaism defeated; Sargent is both surprised and hurt by the criticism and in the end abandons his plan to finish the murals.

More by John Singer Sargent

All works
Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84

Madame X (Virginie Amélie Avegno Gautreau)

1883–84 · The Metropolitan Museum of Art

A Male Model Standing before a Stove, John Singer Sargent, ca. 1875–80

A Male Model Standing before a Stove

ca. 1875–80 · The Metropolitan Museum of Art

Spanish Roma Woman, John Singer Sargent, ca. 1876-1882

Spanish Roma Woman

ca. 1876-1882 · The Metropolitan Museum of Art

En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

En route pour la pêche (Setting Out to Fish)

1878 · National Gallery of Art

Miss Beatrice Townsend, John Singer Sargent, 1882

Miss Beatrice Townsend

1882 · National Gallery of Art

Street in Venice, John Singer Sargent, 1882

Street in Venice

1882 · National Gallery of Art

Lady with the Rose (Charlotte Louise Burckhardt), John Singer Sargent, 1882

Lady with the Rose (Charlotte Louise Burckhardt)

1882 · The Metropolitan Museum of Art

Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), John Singer Sargent, 1883

Margaret Stuyvesant Rutherfurd White (Mrs. Henry White)

1883 · National Gallery of Art

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

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