Meditation, Angelica Kauffman, late 18th century
Angelica Kauffmann, portraitAngelica KauffmannSwiss, 1741–1807

Meditation

late 18th century · Drawing

Can I see it?

Not on view at present

Where is “Meditation” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
D.330-1886

In the catalog

Sources

In the life of Angelica Kauffmann

The whole life
  1. 1766

    Friendship with Joshua Reynolds

    Reynolds became Kauffman’s firmest friend: in his pocketbooks she often appears as “Miss Angelica” or “Miss Angel”; in 1766 he painted her portrait, and she answered with her portrait of Reynolds.

  2. June 1766

    Arrives in London

    In June 1766 Kauffman arrived in London, having been persuaded by Lady Wentworth to go with her. Lady Wentworth’s rank opened society to her, and the royal family showed her particular favour.

  3. 1767

    Marries the impostor “Count de Horn”

    In 1767 Kauffman married an impostor calling himself Count Frederick de Horn; the marriage ended in scandal: by one account it was declared void within a few months, by another the couple separated the following year.

  4. December 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  5. 1769

    Three pictures at the Royal Academy exhibition

    At the Academy’s exhibition of 1769 Kauffman showed “Hector Taking Leave of Andromache”, “Venus Directing Aeneas and Achates to Carthage” and “Achilles Discovered by Ulysses among the Daughters of Lycomedes”; all three were bought by the patroness Theresa Parker.

  6. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

All works

On view at Victoria and Albert Museum

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