Maternity, Édouard Jean Vuillard, 1896
Edouard Vuillard, portraitEdouard VuillardFrench, 1868–1940

Maternity

1896 · Print

Can I see it?

Not on view at present

Where is “Maternity” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1953.368

In the catalog

Sources

In the life of Edouard Vuillard

The whole life
  1. 1886–1927 · Workplace

    Paris

  2. 1894

    Commission for stained-glass windows for Tiffany

    Siegfried Bing, who gave Art Nouveau its name, commissions Vuillard and the other Nabis to design stained-glass windows to be made by Louis Tiffany’s American firm; the designs are shown in 1895 at the Société Nationale des Beaux-Arts, but the windows are never made.

  3. 1894

    Journal: why he mostly paints women

    He writes in his journal that when he looks at men he sees only gross caricatures, while in women he always finds elements that satisfy him as a painter, which is why he populates his interiors mostly with women.

  4. 1894–1908

    The Dreyfus Affair divides the Nabis

    The Dreyfus Affair split French society and deepened the rift among the Nabis: Vuillard and Pierre Bonnard supported Dreyfus, while Maurice Denis and Paul Sérusier sided with the army.

  5. December 1895

    Shown at the opening of Bing’s Maison de l’Art Nouveau

    Displayed at the opening of Bing’s gallery in December 1895 are his series of decorative porcelain plates, with women in modern dress immersed in floral designs, his design for the Tiffany window and the decorative panels made for the Natansons.

  6. late 1890s

    A long relationship with Misia Natanson

    In the late 1890s begins his long relationship with Misia Natanson, wife of his patron Thadée: he helps her decorate the Natansons’ apartment, paints her often in his decorative panels and regularly accompanies the couple to their country house. Vuillard never married, but women greatly shaped his life and work.

All works

On view at Art Institute of Chicago

Museum page