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  3. Mary
Mary, Henry Ossawa Tanner, ca. 1914

Mary

ca. 1914 · Painting · 115.5 × 88.2 cm

About the painting

Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England. In this scene, Mary awaits the arrival of the angel who will tell her that she bears the Son of God. The glowing lamp, a symbol of God’s presence, adds mystery and suspense to the painting.

Smithsonian American Art Museum

Particulars

ca. 1914
18591937
Accession number
1991.102

More by Henry Ossawa Tanner

All works

Neighbors at Smithsonian American Art Museum

Museum page

On the same theme · Religion

All works on the theme
Henry Ossawa Tanner, portraitHenry Ossawa TannerAmerican, 1859–1937

May one see it?

Unknown

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

Mary, Blessed Virgin, SaintReligionBible, N.T.

In the catalog

PaintingsOilAmerican paintingModernism20th century

Sources

  • Smithsonian American Art Museum
  • Image: Smithsonian American Art Museum — CC0
Flight Into Egypt, Henry Ossawa Tanner, 1923

Flight Into Egypt

1923 · The Metropolitan Museum of Art

Study for "Christ at the Home of Lazarus", Henry Ossawa Tanner

Study for "Christ at the Home of Lazarus"

The Metropolitan Museum of Art

The Seine, Henry Ossawa Tanner, c. 1902

The Seine

c. 1902 · National Gallery of Art

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906

The Two Disciples at the Tomb

c. 1906 · Art Institute of Chicago

Mother of Henry O. Tanner, Henry Ossawa Tanner, n.d.

Mother of Henry O. Tanner

n.d. · Smithsonian American Art Museum

Head of a Woman in Jerusalem, Henry Ossawa Tanner, n.d.

Head of a Woman in Jerusalem

n.d. · Smithsonian American Art Museum

Portrait of Mr. and Mrs. Atherton Curtis with Still Life, Henry Ossawa Tanner, n.d.

Portrait of Mr. and Mrs. Atherton Curtis with Still Life

n.d. · Smithsonian American Art Museum

Scene of Algiers, Henry Ossawa Tanner, n.d.

Scene of Algiers

n.d. · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Not on view · National Gallery of Art

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Not on view · National Gallery of Art

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form  _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Not on view · National Gallery of Art

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Not on view · National Gallery of Art

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Not on view · National Gallery of Art

White Crucifixion, Marc Chagall, 1938

Marc Chagall

White Crucifixion, 1938

Not on view · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Not on view · National Gallery of Art

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Not on view · National Gallery of Art