Hans HolbeinGerman, 1497–1543Marskramer en de Dood
May one see it?
Unknown
Rijksmuseum
Amsterdam, Netherlands
The owner is known; whether it is on view today is not.
- Source
- The museum
About the work
In the museum's own words — in Dutch
Een marskramer loopt met een grote mand koopwaar op zijn rug en hij wordt tegengehouden door de Dood die hem aan zijn mouw trekt. Achter het tweetal staat een skelet op een strijkinstrument te spelen. Naast de marskramer loopt een hond. In de marge boven de prent staat de tekst Matth. XI.
Rijksmuseum
Particulars
- Accession number
- RP-P-OB-4509S(R)
What it shows
In the catalog
Sources
- Rijksmuseum
- Image: Rijksmuseum — public domain
Meanwhile, in the life of Hans Holbein
The whole lifec. 1522
Son born: Philipp Holbein I
1524
Journey to France
He visited France, probably in search of work at the court of Francis I; there he may have seen the portrait drawings of Jean Clouet, whose technique of drawing in colored chalks he adopted.
1526
Departure for England on Erasmus's Recommendation
On the advice of Erasmus of Rotterdam he set out for England in search of work, visiting France and the Netherlands on the way; Erasmus recommended him to Thomas More.
1526
Received into Thomas More's Humanist Circle
In England he was received by Sir Thomas More, who found him a series of commissions; in the humanist circle Holbein quickly won a high reputation. More wrote to Erasmus: "Your painter is a wonderful artist."
August 1528
Return to Basel, Purchase of a House
He returned to Basel and bought a house in the St. Johanns-Vorstadt, becoming a neighbor of the publisher Hieronymus Froben; in 1531, having grown wealthy from his English commissions, he bought the adjoining house as well.
