Maria met ingebakerd kind, Albrecht Dürer, 1520
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

Maria met ingebakerd kind

1520 · Print

Can I see it?

Unknown

Where is “Maria met ingebakerd kind” now? Collection: Rijksmuseum, Amsterdam. Unknown.

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum

About the work

Museum text in Dutch

Maria zit op een bankje met het Christuskind ingebakerd op schoot. Links op de achtergrond een kuststrook.

Rijksmuseum

Details

Accession number
RP-P-OB-1197

What it shows

In the catalog

Sources

In the life of Albrecht Dürer

The whole life
  1. 1507–1528 · Workplace

    Nuremberg

  2. summer 1518

    At the Imperial Diet in Augsburg

    Dürer represented Nuremberg at the Imperial Diet in Augsburg, where he drew Maximilian I and Albrecht of Brandenburg and painted a portrait of Jakob Fugger.

  3. 1519

    Death of Emperor Maximilian

    Maximilian, Dürer's chief patron, died just as the artist feared he was losing “my sight and freedom of hand” (perhaps from arthritis) and was increasingly drawn to Luther's writings. Shortly before the emperor's death Dürer had made his portrait.

  4. July 1520

    Journey to the Netherlands with his wife

    To renew his imperial pension and win the patronage of the new emperor, Charles V, Dürer travelled with his wife and her maid down the Rhine via Cologne to Antwerp, where he was warmly received. He attended the coronation at Aachen and saw van Eyck's Ghent Altarpiece and Michelangelo's Madonna of Bruges.

  5. 4 October 1520

    Charles V confirms his pension

    The new emperor, Charles V, confirmed Dürer's right to his pension of 100 guilders a year; the main aim of the journey had been achieved.

  6. 1520–1521

    An illness caught in the Netherlands

    In the Netherlands Dürer caught an unknown illness, possibly malaria, whose attacks plagued him for the rest of his life. He drew himself pointing to his spleen, with the note: “Where the yellow spot is, and where I point with my finger, that is where it hurts.”

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On view at Rijksmuseum

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