Male Anthropomorphic Statuette, 6th-4th century BCE

Male Anthropomorphic Statuette

6th-4th century BCE · Sculpture

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Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the sculpture

More akin to the Umbrian examples of this schematic votive type, this statuette has vertical grooves on each arm denoting hands. Its legs taper to sharp points, and it displays the same angular file finishing as the female statuettes in the collection (1920.44.248 and 1992.256.90).

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The facial features of this type of votive offering have a relatively uniform style: punched roundels for eyes, a raised ridge formed by the angular modeling of the head for a nose, and a simple incised groove for a mouth. Gender can be difficult to determine, as both male and female figures are depicted with nipples; the difference may be that “breasts” tend to be indicated by larger, punched roundels. Genitalia for the females are often an inverted triangle, while for the males there is a nearly circular knob of bronze, although sometimes it is flattened, making identification difficult. These statuettes also have a common stance with arms outstretched to the sides and legs parted in a V-shape. The open positioning of the arms is generally interpreted as a pose of prayer, consistent with that of other types of votive offerings found in tombs and sanctuary deposits (1).

The Umbrian examples of this type of votive are cast and file finished; 1,600 of them were found in a pit deposit at a mountain sanctuary at the top of Monte Acuto, Italy (2). A similar sanctuary context for the five figurines in the Harvard collection may also be assumed. Small, lightweight, and flattened in form, they would have been easy to produce and may have been made near cult shrines to catch the trade of visiting pilgrims.

NOTES:

1. For comparison, see 1979.403.

2. Compare L. Bonfante and F. Roncalli, eds., Antichita dall’Umbria a New York, exh. cat. (Perugia, 1991) 213-20, nos. 4.15-4.31, for a general discussion of these anthropomorphic figurines. See also C. Cagianelli, Bronzi a figura umana, Museo gregoriano etrusco 5 (Vatican City, 1999) 241-53, nos. 45-90, which are described as the “Esquiline” group, comparable to 1920.44.116.1, 1920.44.248, 1992.256.90, and 2012.1.36. For 2012.1.35, compare ibid., 254-60, nos. 91-114, described as the “Aemilia” group.

Aimée F. Scorziello

Harvard Art Museums

Particulars

Accession number
2012.1.36

In the catalog

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