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  1. Collection/
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  3. Love Train
Love Train, D'Angelo Lovell Williams, 2018
DD'Angelo Lovell WilliamsAmerican

Love Train

2018 · Print

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the work

D’Angelo Lovell Williams’s photographs investigate Black queer subjectivities and complicate stereotypes of Black masculinity by depicting self-love and collective embrace. In Love Train, Williams depicts himself alongside two artists who are also close friends and collaborators—painter Jarvis Boyland and sculptor Cameron Clayborn. The three stand atop a makeshift stage, and their synchronized hand gestures, mimicking a locomotive, allude to the choreography of legendary male R&B trio the O’Jays, whose hit single provides the work’s title. Wearing shimmering black tops and nylon stockings, they stand in contrast with the conventional gendered wardrobe of their historical counterparts.

Art Institute of Chicago · CC BY 4.0

Particulars

Accession number
2020.337

What it shows

African AmericanMan

In the catalog

PrintsContemporary art21st century

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

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Elysian, D'Angelo Lovell Williams, 2018

Elysian

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Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

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The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

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A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

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On the same theme · African American

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Plate Number 6. Walking, Eadweard Muybridge, 1887

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Plate Number 6. Walking, 1887

Not on view · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Not on view · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

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Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, December 1941

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Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), October 1943

Not on view · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), October 1943

Not on view · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), October 1943

Not on view · National Gallery of Art

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), October 1943

Not on view · National Gallery of Art