Les Andelys, Paul Signac, 1886
Paul Signac, portraitPaul SignacFrench, 1863–1935

Les Andelys

1886 · Painting · 65 × 81 cm

Can I see it?

Unknown

Where is “Les Andelys” now? Collection: Musée d'Orsay, Paris. Unknown.

Musée d'Orsay

Paris, France

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Details

Accession number
RF 1996 6

In the catalog

Sources

  • Wikidata
  • Image: Musée d'Orsay — Paul Signac · Public domain · Wikimedia Commons

In the life of Paul Signac

The whole life
  1. 1884

    Meeting Georges Seurat

    In 1884 Signac meets Georges Seurat: he is struck by Seurat's systematic working methods and his theory of colors, and becomes his faithful supporter, friend and heir. Under Seurat's influence Signac abandons the short brushstrokes of Impressionism for scientifically juxtaposed small dots of pure color, meant to combine and blend not on the canvas but in the viewer's eye.

  2. 29 July 1884

    Founding the Société des Artistes Indépendants

    On July 29, 1884 the Société des Artistes Indépendants begins in Paris — among its founders are Signac, Albert Dubois-Pillet, Odilon Redon and Georges Seurat — with the motto “Neither jury nor awards.” Its annual exhibitions flourish for the next three decades and set the trends in the art of the early twentieth century, and Signac remains a guiding force in the Society.

  3. 1886

    Meeting Van Gogh in Paris

    In 1886 Signac meets Vincent van Gogh in Paris, and also Toulouse-Lautrec, a friend of Van Gogh. At first Van Gogh admires above all Signac's free painting technique.

  4. 1886

    Three months at Les Andelys

    In 1886 Signac spends three months at Les Andelys; the visit crystallised his theories around Pointillism.

  5. 1887

    To Asnières-sur-Seine with Van Gogh

    In 1887 Signac and Van Gogh regularly travel together to Asnières-sur-Seine, where they paint river landscapes and cafés.

  6. 1888

    Discovering anarchist ideas

    In 1888 Signac discovers anarchist ideas by reading Élisée Reclus, Kropotkin and Jean Grave; with his friends Charles Angrand, Henri-Edmond Cross, Maximilien Luce and Camille Pissarro he contributes to Grave's paper, Les Temps Nouveaux (New Times). Politically he remains an anarchist, as were many of his friends, among them Félix Fénéon.

All works

From the collection of Musée d'Orsay

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