Le denier de Saint Pierre, Thomas Couture, 3e quart 19e siècle
Thomas Couture, portraitThomas CoutureFrench, 1815–1879

Le denier de Saint Pierre

Painting · 0.425 × 0.33 cm

Can I see it?

Unknown

Where is “Le denier de Saint Pierre” now? Collection: Musée d'art et d'archéologie de Senlis, Senlis. Unknown.

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Details

Accession number
A.2004.1.1

What it shows

In the catalog

Sources

In the life of Thomas Couture

The whole life
  1. 1847–1848

    A gold medal, and the state buys “The Romans”

    “The Romans of the Decadence” is awarded a first-class gold medal, and the state buys the picture for 12,000 francs. From 1848 it is shown in the collection of the Luxembourg Museum, and later it is transferred to the collection of the Musée d’Orsay.

  2. January 1850

    Manet becomes his pupil

    From January 1850 Couture teaches Édouard Manet for more than six years. In the end Manet broke with his teacher and with academism and became one of the founders of Impressionism.

  3. 1855

    The 1855 World’s Fair: “The Falconer” misses the top award

    At the 1855 World’s Fair Couture shows the picture “The Falconer”, but it does not win the highest award, which he regards as a major setback. As a result he renounces the first-class medal awarded to him for this picture and for “The Romans of the Decadence”.

  4. 1860

    Leaves Paris for his native Senlis

    Upset by the unfavourable reception of his murals, Couture leaves Paris in 1860 and for a time returns to his hometown of Senlis, where he goes on teaching the young artists who come to him.

  5. 1863

    Forced to close his atelier

    In 1863 Couture is forced to close his atelier, among other reasons because a year earlier many of his pupils had gone over to Courbet.

  6. 1869

    Moves to Villiers-le-Bel

    In 1869 Couture moves to Villiers-le-Bel. According to the critic Albert Wolff, he lives there in a seclusion which, thanks to the complete indifference of his contemporaries, turns him into a man buried alive.

All works

From the collection of Musée d'art et d'archéologie de Senlis

Museum page