La Riboteuse hollandaise, Metsu, Gabriel, 3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658)
Gabriël Metsu, portraitGabriël MetsuDutch, 1629–1667

La Riboteuse hollandaise

third quarter of the 17th century (1657–1658) · Painting

Can I see it?

Yes, on view now

Where is “La Riboteuse hollandaise” now? Musée du Louvre, Salle 837, Aile Richelieu, Niveau 2, Paris. Yes, on view now. Checked September 26, 2026.

Musée du Louvre

Paris, France

Room837, Aile Richelieu, Niveau 2

Closed· opens tomorrow at 9:00 AM

On public display.

Checked
In this state since
Source
The museum

Details

Accession number
INV 1464

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2016 GrandPalaisRmn (musée du Louvre) / Tony Querrec

In the life of Gabriël Metsu

The whole life
  1. 1644–1655 · Workplace

    Leiden

  2. c. 1655

    Moves from Leiden to Amsterdam

    With money troubles during the First Anglo-Dutch War he moved to Amsterdam — though other accounts say he settled there only in 1657, living in Leiden with short breaks until then. He lived in an alley on the Prinsengracht next to a brewery and near his relatives, the children of the sugar refiner Philips Metsu; in Amsterdam he came under the influence of Gerard ter Borch and possibly Pieter Codde.

  3. 1657

    A quarrel with a neighbour and a move beside the vegetable market

    In 1657 he quarrelled with a neighbour (it was alleged that Metsu had left a brothel at six in the morning) and moved to a house on a canal-side where a daily vegetable market was held.

  4. 1657–1667 · Workplace

    Amsterdam

  5. 27 April 1658

    Married: Isabella de Wolff

  6. early 1660s

    Turns to the Leiden “fijnschilders”

    At the onset of the 1660s he turned for inspiration to the art of the Leiden “fijnschilders” (“fine painters”), whose origin is traced to Dou: their paintings on wood or copper are marked by exceptional rendering of minute detail and a smooth, glowing surface. He was apparently responding to the market for Dou’s paintings, which Dou sold at exorbitant prices.

All works

In the same room · Salle 837, Aile Richelieu, Niveau 2, Musée du Louvre

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