La Prédication de saint Étienne, Carpaccio, Vittore, 1e quart du XVIe siècle (1500 - 1525)
Vittore Carpaccio, portraitVittore CarpaccioItalian, 1465–1526

La Prédication de saint Étienne

first quarter of the 16th century (1500–1525) · Painting

May one see it?

Yes, receiving visitors

Musée du Louvre

Paris, France

Room710, Aile Denon, Niveau 1

On public display.

Checked
In this state since
Source
The museum

About the painting

The Sermon of Saint Stephen is an oil-on-canvas painting by Italian artist Vittore Carpaccio, done in 1514. The painting is from the Venetian Renaissance and depicts the first Christian martyr, St. Stephen, giving a sermon. It is now in the Louvre in Paris.

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Particulars

Accession number
INV 181

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2016 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean

Meanwhile, in the life of Vittore Carpaccio

The whole life
  1. 1500

    Son born: Benedetto Carpaccio

  2. c. 1501 – 1507

    Paints with Giovanni Bellini in the Doge's Palace

    Together with Giovanni Bellini, Carpaccio worked in the Hall of the Great Council in the Doge's Palace; like many other major works, the cycle was entirely lost in the fire of 1577.

  3. 1508

    Assesses Giorgione's frescoes on the Fondaco dei Tedeschi

    Carpaccio joined a committee set up to assess Giorgione's frescoes on the Fondaco dei Tedeschi, the trading post of the German merchants in Venice.

  4. c. 1510

    Contemporaries find his style old-fashioned

    By now Carpaccio's manner was seen as too conservative, and success passed to the innovators of the younger generation — Titian, Giorgione and Lorenzo Lotto. After 1510 he worked mainly for individual Venetian patrons and provincial clients, sending altarpieces to cities across the country.

  5. mid-1510s

    The workshop grows as the master's powers wane

    Carpaccio's workshop turned out many works, but his late paintings show a clear decline in creative power, and his old manner was seen as an anachronism. He relied more and more on his sons Pietro and Benedetto, his principal pupils; Marco Marziale was also among his pupils.

  6. 1526

    Died

All works

In the same room · Salle 710, Aile Denon, Niveau 1, Musée du Louvre

Museum page