Odilon RedonFrench, 1840–1916La Passante (The Passerby)
May one see it?
Not receiving at present
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Particulars
- Accession number
- 164.2000
In the catalog
Sources
- The Museum of Modern Art
- Image: The Museum of Modern Art — © the artist or rights holder
Meanwhile, in the life of Odilon Redon
The whole life1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
30 April 1889
Son born: Arï Redon
from 1890
The turn from “noirs” to colour
From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.
