ART WIKI
L´Allegra, Angelica Kauffmann, 1779
Angelica Kauffmann, portraitAngelica KauffmannSwiss, 1741–1807

L´Allegra

1779 · Print

Can I see it?

Unknown

Where is “L´Allegra” now? Collection: Herzog Anton Ulrich Museum, Braunschweig. Unknown.

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
On the mapMuseum page
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Details

What it shows

Walking sticksYoung womenTamburin - im FreienFreude, Genuss, VergnügenRipa: Allegrezza, Allegrezza da le medaglie, Allegrezza, letitia e giubilo, Diletto, Piacere, Piacere honestoEine Person spielt ein Schlaginstrument (im Freien)Andere Schlaginstrumente, mit (NAMEN) - im Freien (TRIANGLE)AllegoryLandscapeMusical instrumentGirlsStaffs

In the catalog

PrintsRococoNeoclassicism18th century

Sources

In the life of Angelica Kauffmann

The whole life

  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  4. 1781

    Married: Antonio Zucchi

  5. after 1781

    Befriends Goethe in Rome

    In Rome Kauffman befriended, among others, Johann Wolfgang von Goethe.

More by Angelica Kauffmann

All works
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · State Hermitage Museum

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · The Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · The Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · The Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · The Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · The Metropolitan Museum of Art

Achilles discovered among the Daughters of Lycomedes, Angelica Kauffmann, c. 1788

Achilles discovered among the Daughters of Lycomedes

c. 1788 · The National Gallery

Baron Gustaf Adolf Reuterholm, Angelica Kauffmann, 1792

Baron Gustaf Adolf Reuterholm

1792 · Nationalmuseum

From the collection of Herzog Anton Ulrich Museum

Museum page
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

On the same theme · Walking sticks

All works on the theme
[Jesus mit seinen Eltern, aus dem Tempel heimkehrend; Christ Returning from the Temple with his Parents; Retour d'Egypte], Rembrandt, 1654

Rembrandt van Rijn

[Jesus mit seinen Eltern, aus dem Tempel heimkehrend; Christ Returning from the Temple with his Parents; Retour d'Egypte], 1654

Herzog Anton Ulrich Museum

[Zwei Wanderer, ein Mann und eine Frau; Two Tramps, a Man and a Woman; Paysan et Paysanne marchant], Rembrandt, 1634

Rembrandt van Rijn

[Zwei Wanderer, ein Mann und eine Frau; Two Tramps, a Man and a Woman; Paysan et Paysanne marchant], 1634

Herzog Anton Ulrich Museum

[Juden in der Synagoge; Jews in the Synagogue; Synagogue des Juifs], Rembrandt, 1648

Rembrandt van Rijn

[Juden in der Synagoge; Jews in the Synagogue; Synagogue des Juifs], 1648

Herzog Anton Ulrich Museum

[Nach links gehender Bettler mit Stock; Beggar with a Stick, Walking to the Left; Gueux à manteau déchiqueté], Rembrandt, 1631

Rembrandt van Rijn

[Nach links gehender Bettler mit Stock; Beggar with a Stick, Walking to the Left; Gueux à manteau déchiqueté], 1631

Herzog Anton Ulrich Museum

[Studienblatt: Studien und Skizzen, darunter ein Selbstbildnis des Künstlers, ein Bettlerpaar, Kopfstudien eines alten Mannes und einer alten Frau, etc.; Skizzenblatt mit Rembrandts Kopf; Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc.; Griffonnemens, où se voit la tête de Rembrandt], Rembrandt, 1632

Rembrandt van Rijn

[Studienblatt: Studien und Skizzen, darunter ein Selbstbildnis des Künstlers, ein Bettlerpaar, Kopfstudien eines alten Mannes und einer alten Frau, etc.; Skizzenblatt mit Rembrandts Kopf; Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc.; Griffonnemens, où se voit la tête de Rembrandt], 1632

Herzog Anton Ulrich Museum

[Bettler an einen Stock gelehnt, nach links gewandt; Beggar Leaning on a Stick, Facing Left; Gueux debout], Rembrandt, 1630

Rembrandt van Rijn

[Bettler an einen Stock gelehnt, nach links gewandt; Beggar Leaning on a Stick, Facing Left; Gueux debout], 1630

Herzog Anton Ulrich Museum

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], Rembrandt, 1639

Rembrandt van Rijn

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], 1639

Herzog Anton Ulrich Museum

[Der Persier; The Persian; Le Persan], Rembrandt, 1632

Rembrandt van Rijn

[Der Persier; The Persian; Le Persan], 1632

Herzog Anton Ulrich Museum