Kreuzigungsaltar, Rogier van der Weyden, 1438-1448
Rogier van der Weyden, portraitRogier van der WeydenFlemish, 1399–1464

Kreuzigungsaltar

1438-1448 · Painting

Can I see it?

Yes, on view now

Where is “Kreuzigungsaltar” now? Kunsthistorisches Museum, Gemäldegalerie, Kabinett 17, Vienna. Yes, on view now. Checked October 9, 2026.

Kunsthistorisches Museum

Vienna, Austria

RoomGemäldegalerie, Kabinett 17

Closed· opens at 10:00 AM

On public display.

Checked
In this state since
Source
The museum's website

Details

In the catalog

Display history

  1. On view · Gemäldegalerie, Kabinett 17

    Kunsthistorisches Museum · Oct 9, 2026 — now · Verified

  2. Whether it was on view is unknown

    Kunsthistorisches Museum · Sep 27, 2026 — Oct 9, 2026 · Unconfirmed

Sources

In the life of Rogier van der Weyden

The whole life
  1. 1435–1464 · Workplace

    Brussels

  2. 1435–1464

    Portraitist of the Burgundian court

    In Brussels he painted portraits of Duke Philip the Good, his son Charles the Bold and his illegitimate son Anthony of Burgundy, Philip I de Croÿ (1460) and Laurent Froimont; there is ample evidence of his prosperity and of the special patronage of the Burgundian court at the height of its power.

  3. 2 March 1436

    Painter to the town of Brussels

    From 2 March 1436 he held the prestigious title of “painter to the town of Brussels” (stadsschilder): the post was created especially for him, was meant to lapse on his death and was tied to a huge commission — four justice scenes for the “Golden Chamber” of the town hall.

  4. 1450

    Italy, 1450: humanists and the older masters

    In the Catholic jubilee year of 1450 he visited Rome, Ferrara and Florence: Italian humanist scholars welcomed him warmly, while he himself studied the painting of the older masters — Fra Angelico and Gentile da Fabriano.

  5. 1450–1455

    Travel: Italy

  6. 1450–1460

    Commissions from the Medici and the d’Este

    The Italian princely houses of Medici and d’Este commissioned works from him: a “Madonna” (now in the Uffizi) and the well-known portrait of Francesco d’Este (1460, now in New York’s Metropolitan Museum).

All works

In the same room · Gemäldegalerie, Kabinett 17, Kunsthistorisches Museum

Museum page