Косари, Natalia Goncharova, 1911
Natalia Goncharova, portraitNatalia GoncharovaRussian, 1881–1962

Косари

1911 · Painting · 106 × 130.5 cm

May one see it?

Unknown

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Particulars

Accession number
373

In the catalog

Sources

  • The State Catalogue of the Museum Fund of Russia
  • Image: Yekaterinburg Museum of Fine Arts — © Екатеринбургский музей изобразительных искусств · Госкаталог музейного фонда РФ

Meanwhile, in the life of Natalia Goncharova

The whole life
  1. 1909

    First stage work: “The Marriage of Zobeide”

    Goncharova designed the sets and costumes for Hugo von Hofmannsthal's “The Marriage of Zobeide” at Konstantin Krakht's private studio; at the same time she decorated sculptural friezes for Moscow mansions and designed wallpaper.

  2. 24 March 1910

    First solo show and a charge of pornography

    At the club of the Society of Free Aesthetics Goncharova showed 22 paintings for a single day; after an anonymous notice in the newspaper “Golos Moskvy” the police seized two “Models” and the painting “God”, and she was charged with pornography.

  3. December 1910 – January 1911

    First Jack of Diamonds exhibition

    The first show of the Jack of Diamonds — Moscow's first radical independent exhibiting group, named by Larionov — included Goncharova's Primitivist and Cubist paintings.

  4. 1911

    Develops Rayonism with Larionov

    Goncharova and Larionov developed Rayonism and painted many works in the style (elsewhere Rayonism is dated 1912–1914).

  5. March – April 1912

    The Donkey's Tail: over fifty paintings

    More than fifty of her paintings hung at the first Donkey's Tail exhibition, which Larionov organised as a break with European influence; the censor confiscated “The Evangelists” as blasphemous.

  6. autumn 1913

    Solo show on Bolshaya Dmitrovka

    Goncharova's largest solo show (together with the spring show in St Petersburg, over 700 works of 1900–1913) closed with the first catalogue-monograph on her and Larionov, edited by I. M. Zdanevich; its preface carries the famous words about turning away “from the West” to the East, whose authorship is disputed.

All works

From the collection of Yekaterinburg Museum of Fine Arts

Museum page