Knight, Death, and the Devil

1513 · Print

Can I see it?

Not on view at present

Where is “Knight, Death, and the Devil” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked: 12 days ago
In this state since: Aug 19, 2026
Source: The museum

On the map Museum page

About the work

Albrecht Dürer’s masterful engraving encourages the viewer to reflect on the inevitability of their mortality. Lurking behind the knight on his muscular warhorse, the skeletal, deteriorating figure of Death sits astride his aging steed and demonstrates the running hourglass of Time. The juxtaposition of the knight and Death suggests the knight’s impending demise. Despite this Christian soldier’s battle-ready appearance, no amount of armor can protect him (and, by proxy, the rest of humanity) from death, though he shows no outward signs of fear or of temptation by the devil, who follows closely behind.

Art Institute of ChicagoCC BY 4.0

Details

Accession number: 1959.538

In the catalog

Prints Engraving Renaissance 16th century Germany

Sources

Art Institute of Chicago
Image: Art Institute of Chicago — CC0

In the life of Albrecht Dürer

The whole life

1507–1528 · Workplace
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.
1515
A life pension from the emperor
The perpetually cash-strapped Maximilian could not pay on time and offered to exempt the artist from city taxes, which the Nuremberg Council opposed. At Dürer's request the emperor granted him a life pension of 100 guilders a year from the sums Nuremberg paid into the imperial treasury.