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  1. Collection/
  2. Herzog Anton Ulrich Museum/
  3. Knabenkopf
Knabenkopf, Jacob Jordaens, 1613–1678
Jacques Jordaens, portraitJacques JordaensFlemish, 1593–1678

Knabenkopf

1613–1678 · Drawing

May one see it?

Unknown

Herzog Anton Ulrich Museum

Braunschweig, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1613–1678
15931678

What it shows

HeadAntwerpen/Rotterdam 1966/67, Kat. Nr. 107, S. 114 Ottawa 1968, Nr. 244, m. Abb. u. Lit. Niederländische Figurenstudien des 17. Jahrhunderts, Ausstellung vom 1.10. bis 12.11.1972 im Kupferstichkabinett des Herzog Anton Ulrich-Museums Braunschweig, Nr. 33 (Ausstellung)

In the catalog

Drawings & watercolorsBaroque17th century

Sources

  • Herzog Anton Ulrich Museum
  • Image: Herzog Anton Ulrich Museum — CC BY-NC-SA 4.0

Meanwhile, in the life of Jacques Jordaens

The whole life
  1. 1615

    Admitted to the guild as a master “water painter”

    After eight years of training Jordaens was admitted to the Antwerp Guild of Saint Luke as a master waterscilder (“water painter”), one who painted in water-based paints the canvases that served as substitutes for tapestries or as tapestry cartoons; other accounts give 1616. Unlike Rubens and van Dyck, he never went to Italy and, apart from short trips within the Low Countries, lived in Antwerp all his life.

  2. 15 May 1616

    Marries his master's daughter Catharina van Noort

    Jordaens married Adam van Noort's eldest daughter Catharina (other accounts call her Anna Catharina). At first the couple lived with or near his father-in-law; they had three children: Elisabeth, Jacob, who became a painter, and Anna Catharina.

  3. 1639–1640

    Charles I's commission: “The Story of Cupid and Psyche”

    Through the English king's agent in Brussels, Balthazar Gerbier, and the diplomat Cesare Alessandro Scaglia, Jordaens received a commission for 22 paintings for the Queen's House at Greenwich without knowing the patron or the destination; when Rubens, Gerbier's preferred choice, died on 30 May 1640, the whole commission passed to Jordaens. But Scaglia died in May 1641, only eight paintings reached the English court, and a dispute with his heirs over payment for seven of them dragged on into the next generation.

  4. 1640–1641

    After Rubens's death, Antwerp's leading painter

    With the deaths of Rubens in 1640 and van Dyck in 1641, Jordaens became the leading painter of Antwerp, and commissions came increasingly from abroad; Rubens's heirs asked him to finish “Perseus and Andromeda” for Philip IV. He never became a court painter: he worked mainly for wealthy townspeople and the clergy.

  5. 1645

    Converts to Calvinism

    Raised a Catholic, Jordaens converted to Calvinism (other accounts say only that this was towards the end of his life), yet the Catholic Church went on commissioning altarpieces from him. He belonged to the Protestant community De Brabantse Olijfberg and towards the end of his life opened his house for private services.

  6. 18 October 1678

    Died

More by Jacques Jordaens

All works
Portrait of Catherine Behaghel, Jacques Jordaens, 1635

Portrait of Catherine Behaghel

1635 · Rijksmuseum

Portrait of Magdalena de Cuyper, Jacques Jordaens, c. 1635 - c. 1636

Portrait of Magdalena de Cuyper

c. 1635 - c. 1636 · Rijksmuseum

Portrait of Rogier Le Witer, Jacques Jordaens, 1635

Portrait of Rogier Le Witer

1635 · Rijksmuseum

Self-Portrait with Parents, Brothers and Sisters, Jacques Jordaens, 1615

Self-Portrait with Parents, Brothers and Sisters

1615 · State Hermitage Museum

Sts Paul and Barnabas in Lystra, Jacques Jordaens, c. 1616

Sts Paul and Barnabas in Lystra

c. 1616 · State Hermitage Museum

The Holy Family with Shepherds, Jacob Jordaens, 1616

The Holy Family with Shepherds

1616 · The Metropolitan Museum of Art

Madonna and Child in the Garland of Flowers, Jacques Jordaens, c. 1618

Madonna and Child in the Garland of Flowers

c. 1618 · State Hermitage Museum

Les Quatre évangélistes, Jordaens, Jacob, 1e tiers du XVIIe siècle (1625 - 1630)

Les Quatre évangélistes

first third of the 17th century (1625–1630) · Musée du Louvre