Odilon RedonFrench, 1840–1916Kleine prelaat
May one see it?
Unknown: the museum keeps its counsel
Rijksmuseum
Amsterdam, Netherlands
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- Source
- The museum's own collection data
About the work
In the museum's own words — in Dutch
De prelaat, een kleine man met een muts op. Zijn hand in zijn jas gestoken.
Rijksmuseum
Particulars
- Accession number
- RP-P-1946-174
What it shows
In the catalog
Sources
- Rijksmuseum: the museum's own open data · fetched 7 days ago
- Image: Rijksmuseum — public domain
Meanwhile, in the life of Odilon Redon
The whole life1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
1886
The eighth Impressionist exhibition
Redon took part in the eighth and last Impressionist exhibition.
1886
Exhibitions of Les XX in Brussels
In the same year, 1886, Redon began to take part in the exhibitions of Les XX in Brussels.
30 April 1889
Son born: Arï Redon
from 1890
The turn from “noirs” to colour
From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.
